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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Vy över den södra delen av Expo-området 2025. Foto: Ivan Grelz</image:caption>
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      <image:caption>Bilder från Expo 1970: Osaka.</image:caption>
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      <image:caption>Bilder från Expo 1970: Festival Plaza, Kenzo Tange.</image:caption>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Bilder från Expo 1970: Demonstration av tidig mobiltelefonteknologi.</image:caption>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Bilder från Expo 1970: Takara Beautillion, Kisho Kurokawa.</image:caption>
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      <image:title>REVIEWS - Expo 2025 - Make it stand out</image:title>
      <image:caption>Karta över området, 2025</image:caption>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>The Grand Ring, Sou Fujimoto, 2025. Foto: Ivan Grelz</image:caption>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>The Grand Ring, Sou Fujimoto, 2025. Foto: Ivan Grelz</image:caption>
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      <image:title>REVIEWS - Expo 2025 - Make it stand out</image:title>
      <image:caption>The Grand Ring, Sou Fujimoto, 2025. Foto: Ivan Grelz</image:caption>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Vy över nationspaviljongerna. Foto: Ivan Grelz</image:caption>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Folksamling framför den saudiska paviljongen, ritad av Foster + Partners. Foto: Ivan Grelz</image:caption>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Maskoten för Expo 2025, Myaku-Myaku. Foto: Ivan Grelz</image:caption>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Signaturpaviljongen Better Co-Being, ritad av SANAA. Foto: Ivan Grelz</image:caption>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Signaturpaviljongen Better Co-Being, ritad av SANAA. Foto: Ivan Grelz</image:caption>
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    <image:image>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Diversity in Harmony, den schweiziska paviljongen 1970, ritad av Heidi och Peter Wenger.</image:caption>
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    <image:image>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Paviljongen Dialogue Theater: Sign of Life, producerad av Naomi Kawase. Foto: Ivan Grelz</image:caption>
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    <image:image>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Paviljongen Dialogue Theater: Sign of Life, producerad av Naomi Kawase. Foto: Ivan Grelz</image:caption>
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    <image:image>
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      <image:title>REVIEWS - Expo 2025</image:title>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Bilder från utställningen Emerging Architecture, Own Ways. TOTO Gallery MA, Aoyama, Tokyo. Foto: Ivan Grelz</image:caption>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Bilder från utställningen Emerging Architecture, Own Ways. TOTO Gallery MA, Aoyama, Tokyo. Foto: Ivan Grelz</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1766148378405-SRKIISM8BJX54GYW1AJD/4_Modell%2C+Photo+by+Ivan+Grelz.jpeg</image:loc>
      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Bilder från utställningen Emerging Architecture, Own Ways. TOTO Gallery MA, Aoyama, Tokyo. Foto: Ivan Grelz</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1766148392307-FZES6NEW6KUS3BIWZMBI/5_Modell%2C+Photo+by+Ivan+Grelz.jpeg</image:loc>
      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Bilder från utställningen Emerging Architecture, Own Ways. TOTO Gallery MA, Aoyama, Tokyo. Foto: Ivan Grelz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1765815899854-Y00XCK7CO68DOQ84ORGF/1_o%2Bh%2C+Photo+by+Ivan+Grelz.jpg</image:loc>
      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Viloplats och lounge, onishimaki+hyakudayuki (o+h). Foto: Ivan Grelz</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1765815896982-HZMASH2CYSBQ16X46VKA/2_o%2Bh%2C+Photo+by+Ivan+Grelz.jpg</image:loc>
      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Viloplats och lounge, onishimaki+hyakudayuki (o+h). Foto: Ivan Grelz</image:caption>
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    <image:image>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Viloplats och lounge, onishimaki+hyakudayuki (o+h). Foto: Ivan Grelz</image:caption>
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      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Toalettpaviljongen Mirage in Yumeshima, ritad av kontoren PONDEDGE + f a r m. Foto: Jumpei Suzuki</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1765816064724-9ZDGLACXUD1N4CH26Y99/2_Mirage+in+Yumeshima%2C+%28PONDEDGE+%2B+f+a+r+m%29+Photo+by+Jumpei+Suzuki.jpg</image:loc>
      <image:title>REVIEWS - Expo 2025</image:title>
      <image:caption>Toalettpaviljongen Mirage in Yumeshima, ritad av kontoren PONDEDGE + f a r m. Foto: Jumpei Suzuki</image:caption>
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    <image:image>
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      <image:title>REVIEWS - Expo 2025</image:title>
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      <image:title>REVIEWS - Expo 2025 - Make it stand out</image:title>
      <image:caption>Toalettpaviljongen One Water, ritad av KUMA&amp;ELSA. Foto: KUMA&amp;ELSA</image:caption>
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      <image:caption>Satellite Studio (West), Kengo Sato, Korogaro Association. Foto: Yosuke Ohtake</image:caption>
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      <image:caption>Arkitekten Kengo Sato (t.v.) på byggarbetsplatsen tillsammans med kunden. Foto: Marc Gooodwin</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2025-12-17</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>REVIEWS - Index Cards / Kartotek&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Courtesy of Emma Hatt.</image:caption>
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      <image:caption>Moyra Davey, Four [чотири], 2025. Courtesy of the artist and Filmögon.</image:caption>
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      <image:title>REVIEWS - Index Cards / Kartotek&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Moyra Davey, Forks &amp; Spoons, 2024. Courtesy of the artist and Filmögon.</image:caption>
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    <loc>https://www.sitezones.net/reviews/diagonalt-begr</loc>
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    <lastmod>2025-12-17</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.sitezones.net/reviews/mrs-dalloway</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/737b0542-88e9-4a8a-8fb8-862449385281/Melancholia.jpg</image:loc>
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      <image:caption>Kirsten Dunst som Justine i Lars von Triers film Melancholia</image:caption>
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  <url>
    <loc>https://www.sitezones.net/reviews/the-18th-istanbul-biennial</loc>
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    <lastmod>2025-12-17</lastmod>
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      <image:title>REVIEWS - The 18th Istanbul Biennial - Make it stand out</image:title>
      <image:caption>A cat at Arter museum shop, Istanbul. Photo: Power Ekroth</image:caption>
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      <image:caption>Christine Thomé. Photo: Tanya Traboulsi</image:caption>
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      <image:title>REVIEWS - The 18th Istanbul Biennial - Make it stand out</image:title>
      <image:caption>Nolan Oswald Dennis, installation view at Galata Greek School, 2025. Photo: Sahir Ugur Eren</image:caption>
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      <image:title>REVIEWS - The 18th Istanbul Biennial</image:title>
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      <image:title>REVIEWS - The 18th Istanbul Biennial</image:title>
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      <image:title>REVIEWS - The 18th Istanbul Biennial - Make it stand out</image:title>
      <image:caption>Installation view, Kongkee, Dragon’s Delusion, 2017 at Galata Greek School, 2025. Photo: Sahir Ugur Eren</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759592111372-J0RIYQJ47U2L6IEBE7EB/18.IB_Akram_Zaatari_GalataRumOkulu_SahirUgurEren_20250915_2.jpg</image:loc>
      <image:title>REVIEWS - The 18th Istanbul Biennial</image:title>
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      <image:title>REVIEWS - The 18th Istanbul Biennial</image:title>
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      <image:caption>Zihni Han</image:caption>
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      <image:title>REVIEWS - The 18th Istanbul Biennial - Make it stand out</image:title>
      <image:caption>Installation image, Jasleen Kaur, My Body is a Temple of Gloom, 2021 at Zihni Han 2025. Photo: Sahir Ugur Eren</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759592723944-SP81U0FLCVHLIYDCLYTH/18.IB_Rafik_Greiss_ZihniHan_SahirUgurEren_20250915_4.jpg</image:loc>
      <image:title>REVIEWS - The 18th Istanbul Biennial</image:title>
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      <image:title>REVIEWS - The 18th Istanbul Biennial</image:title>
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      <image:title>REVIEWS - The 18th Istanbul Biennial</image:title>
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      <image:title>REVIEWS - The 18th Istanbul Biennial</image:title>
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      <image:title>REVIEWS - The 18th Istanbul Biennial</image:title>
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      <image:title>REVIEWS - The 18th Istanbul Biennial</image:title>
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    <image:image>
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      <image:title>REVIEWS - The 18th Istanbul Biennial</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/3725f1a5-6591-46b4-ada6-3607f10c8418/18.IB_Doruntina_Kastrati_KulahFabrikasi_SahirUgurEren_20250915_3.jpeg</image:loc>
      <image:title>REVIEWS - The 18th Istanbul Biennial - Make it stand out</image:title>
      <image:caption>Dorunta Kastrati, A Horn That Swallows Songs (2025) installed at Cone Factory 2025. Photo: Sahir Ugur Eren</image:caption>
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  </url>
  <url>
    <loc>https://www.sitezones.net/reviews/a-grammatic-escape-learning-to-speak-again</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/944630f2-afdb-43fc-9dd7-94b6d5b15ed0/Bild+1.jpg</image:loc>
      <image:title>REVIEWS - Bergen Assembly 2025 - Make it stand out</image:title>
      <image:caption>Laurie Grundt, Police Methods, 1972, installation view of Gruppe 66 at Bergen Kunsthall as part of across, with, nearby, Bergen Assembly 2025. Courtesy of KODE. Photo: Thor Brødreskift</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/4f3afe26-735d-4308-b110-f8e8dff4dd3e/Bild+4.jpg</image:loc>
      <image:title>REVIEWS - Bergen Assembly 2025 - Make it stand out</image:title>
      <image:caption>Reading at Stranges Stiftelse as part of Organizing for Social Change, for across, with, nearby, Bergen Assembly 2025. Photo: Abrakadabra Studio</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/fe74b5a2-52aa-40bf-a468-8f6e64cec2be/Bild+2.jpg</image:loc>
      <image:title>REVIEWS - Bergen Assembly 2025 - Make it stand out</image:title>
      <image:caption>A Blocknotes reading by Christine Otten aboard the Literature Boat Epos as part of across, with, nearby, Bergen Assembly 2025. Photo: Akrakadabra Studio</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/c0ffc516-a213-47b2-9fef-4c06d9ed7952/Bild+3.jpg</image:loc>
      <image:title>REVIEWS - Bergen Assembly 2025 - Make it stand out</image:title>
      <image:caption>A conversation with Munir Fasheh, Ayreen Anastas, Rene Gabri, and Tenthaus Art Collective at Bergen Katedralskole ‘Katten’, programming by the Communist Museum of Palestine دال-صفر (d-0) as part of across, with, nearby, Bergen Assembly 2025. Photo: Akrakadabra Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/cbb1351c-d241-46bb-9e9b-02f7342489de/Bild+5.jpg</image:loc>
      <image:title>REVIEWS - Bergen Assembly 2025 - Make it stand out</image:title>
      <image:caption>Communist Museum of Palestine دال-صفر (d-0), hosted by P1 — Mobile Studio, installation view at Bergen Katedralskole ‘Katten’ as part of across, with, nearby, Bergen Assembly 2025. Photo: Thor Brødreskift</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/reviews/the-36th-so-paulo-biennial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/81877e97-97b3-4ec6-97f0-3e669888f185/2024_10_23_curadoria-bienal-credits-pedefeijoao-jpg-2.jpg</image:loc>
      <image:title>REVIEWS - The 36th São Paulo Biennial - Make it stand out</image:title>
      <image:caption>Conceptual team for the 36th Bienal de São Paulo, from left to right: Keyna Eleison, Alya Sebti, Bonaventure Soh Bejeng Ndikung, Henriette Gallus, Anna Roberta Goetz and Thiago de Paula Souza © João Medeiros / Fundação Bienal de São Paulo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/fd5344c0-a471-40ef-9019-053c3abfcca4/0oaabYJp0PnzwEvX.png</image:loc>
      <image:title>REVIEWS - The 36th São Paulo Biennial - Make it stand out</image:title>
      <image:caption>Noor Abed, A Night We Held Between, 2024, 16mm film still. Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/9bb2b34d-6e5c-4097-8ee6-63986f77eb69/aline-baiana_ouro-negro-e-a-gente-2025_foto-natt-fejfar-1-2560x1707.jpg</image:loc>
      <image:title>REVIEWS - The 36th São Paulo Biennial - Make it stand out</image:title>
      <image:caption>Installation view of Ouro negro é a gente, by Aline Baiana, during the 36th Bienal de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/b3743c77-0d8a-4896-8797-2e74a81fd037/eE0i9sAbSwx8d4jP.png</image:loc>
      <image:title>REVIEWS - The 36th São Paulo Biennial - Make it stand out</image:title>
      <image:caption>Otobong Nkanga, Unearthed – Sunlight, 2021, Woven textile (yarns: trevira, sidero, polyester, multifilament, merino wool, superwash, linnen, mohair, econyl, fulgaren, elirex, viscose), remembrance plants 350 x 600 cm. Photo: Markus Tretter</image:caption>
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      <image:title>REVIEWS - The 36th São Paulo Biennial - Make it stand out</image:title>
      <image:caption>Installation view of A casa de Bené, by Ana Raylander Mártis dos Anjos, during the 36th Biennial de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo</image:caption>
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      <image:caption>Installation view of A colheita de Dan, by Gê Viana, during the 36th Biennial de São Paulo © Levi Fanan / Fundação Bienal de São Paulo</image:caption>
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      <image:caption>Installation view of catástrofe orquestra #1 (Ato I), by Antonio Társis, during the 36th Bienal de São Paulo © Levi Fanan / Fundação Bienal de São Paulo</image:caption>
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      <image:caption>Installation view of L’odeur de la terre après le feu Et la promesse des souffles: Pour l’obsession d’une résonance, étendre nos peaux, Nos corps O, à la chaleur encore incandescente des cendres, by Myriam Omar Awadi, during the 36th Bienal de São Paulo © Levi Fanan / Fundação Bienal de São Paulo</image:caption>
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    <lastmod>2025-12-17</lastmod>
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      <image:title>REVIEWS - Skisser och drömmar om ett DDR som blev och kunde ha blivit - Make it stand out</image:title>
      <image:caption>Dieter Bankert. Berlin, Stadscentrum, fågelperspektiv, 1976</image:caption>
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      <image:caption>Lutz Brandt, Balkonträumereien 2, 1983</image:caption>
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      <image:caption>Leopold Wiel, Wiel designkollektiv, med Klaus Wever, skiss av Angela Waltz. Dresden, tävling Kulturpalast, 1960</image:caption>
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      <image:caption>Peter &amp; Ute Baumbach. Gera, skiss för ett nytt centrum, 1967/68</image:caption>
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    <loc>https://www.sitezones.net/reviews/renessansefeminin-horror</loc>
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    <lastmod>2025-12-17</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2025-12-17</lastmod>
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      <image:title>REVIEWS - Passing the fugitive on - Make it stand out</image:title>
      <image:caption>Simon Wachsmuth, From Heaven High 2022 filmstill</image:caption>
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      <image:title>REVIEWS - Passing the fugitive on - Make it stand out</image:title>
      <image:caption>Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Anawana Haloba, Sammlung / Collection Hartwig Art Foundation; image: Marvin Systermans</image:caption>
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      <image:caption>Margherita Moscardini, The Stairway, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Margherita Moscardini and Gian Marco Casini, Livorno; image: Marvin Systermans</image:caption>
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      <image:caption>Sarnath Banerjee, Critical Imagination Deficit, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sarnath Banerjee; image: Diana Pfammatter, Eike Walkenhorst</image:caption>
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      <image:caption>Panties for Peace, sticker: Panties for Peace Emblems, 2010/25; videos: The Party they don’t want you to know! LPP Pantidates | Burma election 2010, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Panties for Peace; image: Marvin Systermans</image:caption>
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      <image:title>REVIEWS - Passing the fugitive on - Make it stand out</image:title>
      <image:caption>Akademia Ruchu, Potknięcie [The Stumble], 1977, video still © Akademia Ruchu</image:caption>
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      <image:title>REVIEWS - Passing the fugitive on - Make it stand out</image:title>
      <image:caption>Htein Lin, The Fly, 2008, video still. Courtesy: © Htein Lin</image:caption>
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    <lastmod>2025-12-17</lastmod>
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      <image:caption>The Third Paradise Perspective. Foto Marco Zorzanello. Courtesy La Biennale di Venezia</image:caption>
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      <image:caption>“The Other Side of the Hill”. Foto: Marco Zorzanello. Courtesy La Biennale di Venezia.</image:caption>
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      <image:caption>”Articifial”. Foto: Andrea Avezzù. Courtesy La Biennale di Venezia.</image:caption>
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      <image:caption>Prompts and Provenance – Re-situating Place in Text-to-Image Models. Foto: Luca Capuano. Courtesy La Biennale di Venezia</image:caption>
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    <image:image>
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      <image:caption>LC – Doxiadis’ Informational Modernism. Foto: Luca Capuano. Courtesy La Biennale di Venezia</image:caption>
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      <image:caption>The Curse of Dimensionality. Foto: Luca Capuano. Courtesy La Biennale di Venezia</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.sitezones.net/reviews/sorin-masifi-skadad-skapad-ter</loc>
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    <lastmod>2025-12-17</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2025-12-17</lastmod>
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      <image:caption>Johan Thurfjell, The Hour of Meeting Evil Spirits (2022) still</image:caption>
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      <image:caption>Installationsbild, Johan Thurfjells utställning Den andra sidan på Fullersta gård 2025. Verken Liminal, 2023 till vänster i bild.</image:caption>
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      <image:title>REVIEWS - Johan Thurfjell: Den andra sidan - Make it stand out</image:title>
      <image:caption>Installationsbild, Johan Thurfjells utställning Den andra sidan på Fullersta gård, 2025</image:caption>
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    <loc>https://www.sitezones.net/reviews/straffkolonin</loc>
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    <lastmod>2025-12-17</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.sitezones.net/reviews/walter-benjamins-moskvadagbok</loc>
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    <lastmod>2025-12-17</lastmod>
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      <image:title>REVIEWS - Walter Benjamin i Moskva – en dagbok? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1741775952611-IVYOFT33YOWIGHGAYVFU/e5w2pw.png</image:loc>
      <image:title>REVIEWS - Walter Benjamin i Moskva – en dagbok?</image:title>
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      <image:title>REVIEWS - Walter Benjamin i Moskva – en dagbok?</image:title>
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      <image:title>REVIEWS - Walter Benjamin i Moskva – en dagbok? - Make it stand out</image:title>
      <image:caption>Dagboksmanuskript, Walter Benjamin</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1741777085314-BD19N88JHU276L1F841H/vintage-russian-poster-lenin-and-electrification-1925-14140-p.jpg</image:loc>
      <image:title>REVIEWS - Walter Benjamin i Moskva – en dagbok?</image:title>
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    <image:image>
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      <image:title>REVIEWS - Walter Benjamin i Moskva – en dagbok?</image:title>
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      <image:title>REVIEWS - Walter Benjamin i Moskva – en dagbok?</image:title>
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  </url>
  <url>
    <loc>https://www.sitezones.net/reviews/striden-inom-fakulteten</loc>
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    <lastmod>2025-12-17</lastmod>
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      <image:caption>Dan Karlholm, Konsten är Makadam förlag, 2024</image:caption>
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      <image:title>REVIEWS - &amp;nbsp;Striden inom fakulteten:</image:title>
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      <image:title>REVIEWS - &amp;nbsp;Striden inom fakulteten:</image:title>
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      <image:title>REVIEWS - &amp;nbsp;Striden inom fakulteten:</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1739796716196-7G66M6EM2FCLK8XBNJGB/Museo-di-Castelvecchio-Verona-Inexhibit-05s.jpg</image:loc>
      <image:title>REVIEWS - &amp;nbsp;Striden inom fakulteten:</image:title>
    </image:image>
    <image:image>
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      <image:title>REVIEWS - &amp;nbsp;Striden inom fakulteten:</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/96488aff-b350-4166-94d3-fb02434d7a79/tottie_201031_021.jpg</image:loc>
      <image:title>REVIEWS - &amp;nbsp;Striden inom fakulteten: - Make it stand out</image:title>
      <image:caption>Sophie Tottie, Sense (Universal(s)) Target I, 2020, järnoxidbläck och blyerts på papper, 150 × 150 cm. Fotografi: Carl Henrik Tillberg</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/reviews/the-active-presence-of-invisible-forces</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/aff8873a-7cf9-4400-ba90-b67e4aa3e596/image+1+-+it+comes+from+afar.jpeg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces - Make it stand out</image:title>
      <image:caption>Paul Joseph Constantin Gabriël, It comes from afar, ca. 1887, oil on canvas, 67 x 100 cm. Copyright Kröller-Müller Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/e8018f6b-d735-458e-8462-58d29776253f/image+2+-+basket+of+lemons+and+bottle.jpeg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces - Make it stand out</image:title>
      <image:caption>Vincent Van Gogh, Basket of Lemons and Bottle, 1888, oil on canvas, 53,9 x 64,3 cm. Copyright Kröller-Müller Museum.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1737568413827-KUCVV71DT0D7WSYOALQ0/image+3+-+four+sunflowers+gone+to+seed.jpeg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1737568417226-QEEOJPOQ7CC0WGAKU1XW/image+4+-+Helene+is+laid+out+.jpeg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/366acd75-9d5f-41da-86b6-0138e53d6e2e/image+5+-+andrea+mantegna.jpg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces - Make it stand out</image:title>
      <image:caption>Andrea Mantegna, The Risen Christ between St. Andrew and St. Longinus, c. 1472, engraving, pen and black ink, brush and watercolor on paper, 31,7 x 28 cm. Photo taken at the exhibition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1737572761914-7PS064YYF6BDM5JPFRIV/image+6.1+-+ossip+zadkine.jpg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1737572762065-7TYLBHUGBLKAXGHEHTI7/image+6.2+-+ossip+zadkine.jpg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/8a4c46f7-2465-4f39-b455-6ea298c16295/image+7+-+mother+and+child.jpg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces - Make it stand out</image:title>
      <image:caption>Bart van der Leck, Mother and Child, 1921, oil on canvas, 80 x 62,5 cm. Photo taken at the exhibition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1737572976901-DKIPMZ9IC25XG1PEL0W7/image+8.1+-+odilon+redon.jpg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1737572975588-AUCJGJN60VXTK6DVTITH/image+8.2+-+odilon+redon.jpg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1737573302024-RCYLL4CCQMC7F8TFID9Z/image+9.1+-+xavier+mellery.jpg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1737573306672-WHK3FFZG0491DLY38X0Z/image+9.2+-+xavier+mellery.jpg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1737573404419-GDKP4EJ4HKQXKZNKEJF8/image+10.1+-+mondrian.jpg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1737573407149-93IAIZV9E72ZEFTQLI50/image+10.2+-+mondrian.jpg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1737573412957-NL4F5W921JCSBLE6BFWE/image+10.3+-+mondrian.jpg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1737573414986-RDH439EI79VZVAX7WRCL/image+10.4+-+mondrian.jpg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/f7370d71-dd50-406f-8e35-42de9746e5ca/image+11+-+jan+toorop.jpeg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces - Make it stand out</image:title>
      <image:caption>Jan Toorop, Les rôdeurs, 1892, ink, chalk, pastel and pencil on cardboard, 65 x 76 cm. Copyright Kröller-Müller Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/3fc427c9-d329-46a8-b4db-9b5752e1eabc/image+12+-+the+defense+of+the+ideal.jpeg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces - Make it stand out</image:title>
      <image:caption>Charles Doudelet, The Defense of the Ideal, 1908, ink and paint (gold paint and watercolor) on paper, 48 x 62,2 cm. Copyright Kröller-Müller Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/7eeb8d11-f04a-45fd-9f95-a990f6ed0dd4/image+13+-+james+lee+byars.jpg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces - Make it stand out</image:title>
      <image:caption>James Lee Byars, The Path of Luck, 1992, Granite (African blue), diameter of 12,5 cm. Photo taken at the exhibition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/cfee928d-9c66-44eb-ab53-38ebd275c366/image+14+-+emblem+on+museum+facade.jpg</image:loc>
      <image:title>REVIEWS - The active presence of invisible forces - Make it stand out</image:title>
      <image:caption>View of one of the main façades of the Kröller-Müller Museum, featuring the exhibition poster on the right and Helene Kröller-Müller’s emblem, designed by Henry Van de Velde between 1937-1938, for her motto ‘Spiritus et Materia’. Photo taken upon departure.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/reviews/what-goes-by-the-name-of-love-is-exile</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-17</lastmod>
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      <image:title>REVIEWS - What goes by the name of love, is exile - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.sitezones.net/reviews/douglas-feuk-om-ola-billgren</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/e1918e8c-0ce4-4faf-bf1d-53623e774ef4/FxHtA9tUINqaYAIX.png</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>REVIEWS - En konstnär i ständig förvandling - Ola Billgren, Löderup, 1973</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/55fa1769-6432-4e41-9c74-390729e99e83/Landskap_Sofielund_1999%5B1%5D.jpeg</image:loc>
      <image:title>REVIEWS - En konstnär i ständig förvandling - Ola Billgren, Landskap Sofielund, 1999</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/b6c284a3-b928-431a-be5c-aca6792b384c/Nostalgiskt+fo%E2%95%A0%C3%AAnster+1962.jpg</image:loc>
      <image:title>REVIEWS - En konstnär i ständig förvandling - Make it stand out</image:title>
      <image:caption>Ola Billgren, Nostalgiskt fönster, 1962</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/ba3aec59-5a2c-48b2-80c1-5e6f0a621f95/Interio%E2%95%A0%C3%AAr+1963.JPG</image:loc>
      <image:title>REVIEWS - En konstnär i ständig förvandling - Make it stand out</image:title>
      <image:caption>Ola Billgren, Interiör, 1963</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/e1f44f15-0c3d-44d7-a3fe-552168165b46/GyE6XD4pTCi0dLIJ.png</image:loc>
      <image:title>REVIEWS - En konstnär i ständig förvandling - Make it stand out</image:title>
      <image:caption>Ola Billgren, Utsnitt, 1964</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/c24eb37f-28ea-47df-b0ff-14ea5f12fe71/Persienn.jpg</image:loc>
      <image:title>REVIEWS - En konstnär i ständig förvandling - Make it stand out</image:title>
      <image:caption>Ola Billgren, Persienn, 1965</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/bbc6bf44-bb0a-4f34-bf63-38b6bd511894/full.jpg</image:loc>
      <image:title>REVIEWS - En konstnär i ständig förvandling - Make it stand out</image:title>
      <image:caption>Ola Billgren, A Mediterráneo, 1966</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/9253ef63-e8f4-410f-8896-92224597a25d/En_face_1971%5B1%5D.jpeg</image:loc>
      <image:title>REVIEWS - En konstnär i ständig förvandling - Make it stand out</image:title>
      <image:caption>Ola Billgren, En face, 1971</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/b047c570-7228-4c92-803d-d4f3b8368f4d/nmaff25a1991-2-1536x996.jpg</image:loc>
      <image:title>REVIEWS - En konstnär i ständig förvandling - Make it stand out</image:title>
      <image:caption>Ola Billgren, Paris, 1970</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/4ba6973e-0e46-4fbc-b052-866ab82e3bc0/N0KXHodLmP9Bm45b.png</image:loc>
      <image:title>REVIEWS - En konstnär i ständig förvandling - Make it stand out</image:title>
      <image:caption>Ola Billgren, Poem, 1979</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/bbe7c099-7905-40ae-907e-e008a5739de5/Klassiskt_tema_1982%5B1%5D.jpeg</image:loc>
      <image:title>REVIEWS - En konstnär i ständig förvandling - Make it stand out</image:title>
      <image:caption>Ola Billgren, Klassiskt tema, 1982</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/9a2baa92-97d8-41ad-b396-2abfdca86928/Verborgenheit_1982%5B1%5D.jpeg</image:loc>
      <image:title>REVIEWS - En konstnär i ständig förvandling - Make it stand out</image:title>
      <image:caption>Ola Billgren, Verborgenheit, 1982</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/81b3c13f-596d-4f6d-aaa0-e28c6e832ac6/Cityscape_Malmo%E2%95%A0%C3%AA%5B1%5D.jpeg</image:loc>
      <image:title>REVIEWS - En konstnär i ständig förvandling - Make it stand out</image:title>
      <image:caption>Ola Billgren, Cityscape, Malmö, 1987</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/52ac1cb3-1d83-4256-a957-22243ed45a0b/rotqp0izSaYTv9Gu.png</image:loc>
      <image:title>REVIEWS - En konstnär i ständig förvandling - Make it stand out</image:title>
      <image:caption>Ola Billgren, Painting for the A.W Chapel, 1989</image:caption>
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    <image:image>
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      <image:title>REVIEWS - En konstnär i ständig förvandling - Make it stand out</image:title>
      <image:caption>Ola Billgren, Environments, 1991–93</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/6fd24b15-5436-4046-8314-2f63db8ceb11/dro%E2%95%A0%C3%AAmmen%5B1%5D.jpeg</image:loc>
      <image:title>REVIEWS - En konstnär i ständig förvandling - Make it stand out</image:title>
      <image:caption>Ola Billgren, Drömmen, 1993</image:caption>
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  <url>
    <loc>https://www.sitezones.net/reviews/a-counterculture-to-the-dormant-brain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-17</lastmod>
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      <image:title>REVIEWS - A Counterculture of The Dormant Brain?</image:title>
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      <image:title>REVIEWS - A Counterculture of The Dormant Brain?</image:title>
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      <image:title>REVIEWS - A Counterculture of The Dormant Brain?</image:title>
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      <image:title>REVIEWS - A Counterculture of The Dormant Brain?</image:title>
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      <image:title>REVIEWS - A Counterculture of The Dormant Brain?</image:title>
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      <image:title>REVIEWS - A Counterculture of The Dormant Brain?</image:title>
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      <image:title>REVIEWS - A Counterculture of The Dormant Brain?</image:title>
    </image:image>
    <image:image>
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      <image:title>REVIEWS - A Counterculture of The Dormant Brain?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1730394522986-0HERORNQG6HCRZ4ZEID4/_DSF3300.jpg</image:loc>
      <image:title>REVIEWS - A Counterculture of The Dormant Brain?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1730394520872-H89HHX9BFQAM6W3CZ9KH/_DSF3345.jpg</image:loc>
      <image:title>REVIEWS - A Counterculture of The Dormant Brain?</image:title>
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  <url>
    <loc>https://www.sitezones.net/reviews/the-birth-of-a-dying-system</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-17</lastmod>
    <image:image>
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      <image:title>REVIEWS - The Birth of a Dying System - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/9d6a1b00-19a4-49e6-b53a-a06725ba7761/Boris_Yeltsin_with_Bill_Clinton.jpg</image:loc>
      <image:title>REVIEWS - The Birth of a Dying System - Boris Yeltsin and Bill Clinton in 1996.</image:title>
      <image:caption>Boris Yeltsin and Bill Clinton in 1996. (Made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication)</image:caption>
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    <image:image>
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      <image:title>REVIEWS - The Birth of a Dying System - Make it stand out</image:title>
      <image:caption>Nuremberg Trials: looking down on the defendants' dock. Ca. 1945-46.</image:caption>
    </image:image>
    <image:image>
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      <image:title>REVIEWS - The Birth of a Dying System - Make it stand out</image:title>
      <image:caption>United Nations General Assembly hall in the UN Headquarters, New York City, February 2024.</image:caption>
    </image:image>
    <image:image>
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      <image:title>REVIEWS - The Birth of a Dying System - Make it stand out</image:title>
      <image:caption>L'Hydre aristocratique. Paris, 1789.</image:caption>
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  <url>
    <loc>https://www.sitezones.net/reviews/en-liten-roman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/74f6e2ed-6e83-48fe-8ff1-391a82aa8aec/noren.jpg</image:loc>
      <image:title>REVIEWS - En liten roman&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.sitezones.net/reviews/bestiari</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-17</lastmod>
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      <image:title>REVIEWS - Bestiari - Make it stand out</image:title>
      <image:caption>Installation image, Bestiari, Venice 2024, ©Flavio Coddou</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/43ba0748-5cd8-4e13-9f73-6630036a772b/01_CarlosCasas_Bestiari_2024_Batvision.jpg</image:loc>
      <image:title>REVIEWS - Bestiari - Make it stand out</image:title>
      <image:caption>Carlos Casas, Batvision, Bestiari</image:caption>
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    <image:image>
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      <image:title>REVIEWS - Bestiari - Make it stand out</image:title>
      <image:caption>Installation image, Bestiari, Venice 2024, ©Gerda Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/b1c318ca-cda3-4f35-b559-412bd7926cca/BIENNALE24_BESTIARI_Foto_Flavio_Coddou-9.jpg</image:loc>
      <image:title>REVIEWS - Bestiari - Make it stand out</image:title>
      <image:caption>Installation image, Bestiari, Venice 2024, ©Flavio Coddou</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/001ad1ab-09bb-45d6-80bc-443b211971c8/02_CarlosCasas_Bestiari_2024_Snakevision.jpg</image:loc>
      <image:title>REVIEWS - Bestiari - Make it stand out</image:title>
      <image:caption>Carlos Casas, Snakevision, 2024, Bestiari.</image:caption>
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  <url>
    <loc>https://www.sitezones.net/reviews/ernst-bloch-utopins-anda</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-17</lastmod>
    <image:image>
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      <image:title>REVIEWS - Ernst Bloch: Utopins anda - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/d42eb2d4-7ad1-467a-aa52-93a7e9ac181f/Bundesarchiv_Bild_183-35545-00092C_Ernst_Bloch_auf_15._Schriftstellerkongress.jpg</image:loc>
      <image:title>REVIEWS - Ernst Bloch: Utopins anda - Make it stand out</image:title>
      <image:caption>Ernest Bloch, 1956</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/d5404849-6023-4e1d-8a0f-453fc79c694e/Alois_Riegl.jpg</image:loc>
      <image:title>REVIEWS - Ernst Bloch: Utopins anda - Make it stand out</image:title>
      <image:caption>Alois Reigl, omkring 1890</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/538709ff-f756-4b47-8b92-b211886107f8/Novalis.jpg</image:loc>
      <image:title>REVIEWS - Ernst Bloch: Utopins anda - Make it stand out</image:title>
      <image:caption>Novalis porträtt, okänd upphovsperson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/88dca1d8-4f68-4606-817a-35bef786ccd3/e841eac16c89d1935ce5e6ac617db800.jpg</image:loc>
      <image:title>REVIEWS - Ernst Bloch: Utopins anda - Make it stand out</image:title>
      <image:caption>"Zeichnung mit der Formate", 1918. En av Paul Klees 61 illustrationer till Novalis text "Die Lehrlinge zu Sais" (Saïs lärjungar).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/reviews/theodor-w-adorno-drmdagbok</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/d26d62bb-00e3-468a-8441-e1acd6460917/Adorno_omslag-768x1202.jpg</image:loc>
      <image:title>REVIEWS - Theodor W. Adorno Drömdagbok - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/102d1750-1e0e-46b4-b52c-c5be32c8575d/10013441-1451406098-907688-3ufe.jpg</image:loc>
      <image:title>REVIEWS - Theodor W. Adorno Drömdagbok - Make it stand out</image:title>
      <image:caption>Gretel och Theodor Adorno</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/c13997f2-b63e-41ce-a3b4-1b2281f21b3d/Somnambulist_Waterer.png</image:loc>
      <image:title>REVIEWS - Theodor W. Adorno Drömdagbok - Make it stand out</image:title>
      <image:caption>Somnambulist waterer, Niklas Nenzén</image:caption>
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  </url>
  <url>
    <loc>https://www.sitezones.net/reviews/arabic-film-agenda</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-09</lastmod>
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  <url>
    <loc>https://www.sitezones.net/reviews/ola-sigurdson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/0b125967-10d2-40af-984d-a41e4abd6b88/9789152723913.jpg</image:loc>
      <image:title>REVIEWS - Ola Sigurdson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/8549593b-a618-4a5f-b702-6308ef3c38fb/Retrato_del_Papa_Inocencio_X._Roma%2C_by_Diego_Vel%C3%A1zquez.jpg</image:loc>
      <image:title>REVIEWS - Ola Sigurdson - Make it stand out</image:title>
      <image:caption>Diego Velázquez, Retrato del Papa Inocencio X, ca. 1650</image:caption>
    </image:image>
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      <image:caption>Bruder-Klaus-Kapelle, Mechernich-Wachendorf, 2007</image:caption>
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      <image:title>REVIEWS - Ola Sigurdson - Make it stand out</image:title>
      <image:caption>Alfred Stieglitz, From the Back-Window “291”, 1915</image:caption>
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      <image:caption>Giovanni Battista Piranesi, Campo Vaccino, ur Vedute di Roma (1756)</image:caption>
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  <url>
    <loc>https://www.sitezones.net/reviews/arkitekturbiennalen-i-venedig-2023</loc>
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    <lastmod>2023-08-09</lastmod>
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      <image:title>REVIEWS - Arkitekturbiennalen i Venedig 2023 - Make it stand out</image:title>
      <image:caption>Arkitekturbiennalen i Venedig pågår till den 26 november 2023. Foto: Matteo de Mayda. Courtesy: La Biennale di Venezia.</image:caption>
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      <image:title>REVIEWS - Arkitekturbiennalen i Venedig 2023 - Make it stand out</image:title>
      <image:caption>“Liquid Light”, Flores &amp; Prats Arquitectes, Arsenale. Foto: Andrea Avezzù. Courtesy: La Biennale di Venezia.</image:caption>
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      <image:title>REVIEWS - Arkitekturbiennalen i Venedig 2023 - Make it stand out</image:title>
      <image:caption>Presskonferens med biennalens ordförande Roberto Cicutto och curatorn Lesley Lokko. Foto: Jacopo Salvi. Courtesy: La Biennale di Venezia.</image:caption>
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      <image:caption>“Parliament of Ghosts”, Ibrahim Mahama, Giardini. Foto: Matteo de Mayda. Courtesy: La Biennale di Venezia.</image:caption>
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      <image:caption>“Tropical Modernism: Architecture and Power in West Africa”, Applied Arts pavilion, Victoria &amp; Albert Museum, Arsenale. Foto: Andrea Avezzù. Courtesy: La Biennale di Venezia.</image:caption>
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    <loc>https://www.sitezones.net/reviews/abstraktionernas-tysta-herravlde</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Søren Mau. Fotografi: Sigrid Nygaard</image:caption>
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    <loc>https://www.sitezones.net/reviews/februari-33-litteraturens-vinter</loc>
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    <lastmod>2025-12-17</lastmod>
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      <image:title>REVIEWS - Februari 33: Litteraturens vinter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.sitezones.net/reviews/tankstreck</loc>
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    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
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      <image:title>REVIEWS - Tankstreck - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>REVIEWS - Tankstreck - Make it stand out</image:title>
      <image:caption>Ezra Pound, manuskript till Canto 90.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/5471c17e-6452-4f88-952c-fa84e18cbd67/lossless-page1-458px-Rime_di_Guido_Cavalcanti.tif.png</image:loc>
      <image:title>REVIEWS - Tankstreck - Make it stand out</image:title>
      <image:caption>Guido Cavalcanti, Rime, 1813</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/adcad4bd-291b-432c-8921-85f2cab1bdf2/9668646_fullsize.jpg</image:loc>
      <image:title>REVIEWS - Tankstreck - Make it stand out</image:title>
      <image:caption>Rabbe Enckell, självporträtt, 1944.</image:caption>
    </image:image>
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      <image:title>REVIEWS - Tankstreck - Make it stand out</image:title>
      <image:caption>Anna Rydstedt.</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Piero della Francesca, Kristi gisslande, after 1444.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/reviews/the-no-of-thought</loc>
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    <lastmod>2022-11-26</lastmod>
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      <image:caption>Alain (Emile-Auguste Chartier).</image:caption>
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      <image:caption>Jacques Derrida at the Lycée Louis-le-Grand, 1949-1950.</image:caption>
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  </url>
  <url>
    <loc>https://www.sitezones.net/reviews/the-landscape-of-aesthetics</loc>
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    <lastmod>2022-02-25</lastmod>
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      <image:title>REVIEWS - The Landscape of Aesthetics</image:title>
      <image:caption>Jean-Jacques Rousseau, La Nouvelle Héloïse, illustration from the 1761 edition.</image:caption>
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      <image:title>REVIEWS - The Landscape of Aesthetics - Make it stand out</image:title>
      <image:caption>Joseph Mallord William Turner, Harewood House, from the South (1798). The surrounding park designed by Capability Brown.</image:caption>
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      <image:title>REVIEWS - The Landscape of Aesthetics - Make it stand out</image:title>
      <image:caption>Thomas Gainsborough, Hilly landscape with peasant family at a Cottage Door, Children playing and Woodcutter returning ca 1787.</image:caption>
    </image:image>
    <image:image>
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      <image:title>REVIEWS - The Landscape of Aesthetics - Make it stand out</image:title>
      <image:caption>Jan van Goyen, Dune Landscape with Cottage and Figures, 1629.</image:caption>
    </image:image>
    <image:image>
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      <image:title>REVIEWS - The Landscape of Aesthetics - Make it stand out</image:title>
      <image:caption>Jan van Goyen, Dune-Landscape with Figures, 1632.</image:caption>
    </image:image>
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      <image:title>REVIEWS - The Landscape of Aesthetics</image:title>
      <image:caption>Jacob van Ruisdael, Landscape with Waterfall and Logs Blocked by Rocks, ca 1670.</image:caption>
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      <image:title>REVIEWS - The Landscape of Aesthetics - Make it stand out</image:title>
      <image:caption>Jacob van Ruisdael, Road through an Oak Forest, 1646-47.</image:caption>
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      <image:title>REVIEWS - The Landscape of Aesthetics</image:title>
      <image:caption>Jacob van Ruisdael, The Ruined Cottage, c. 1655</image:caption>
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      <image:title>REVIEWS - The Landscape of Aesthetics - Make it stand out</image:title>
      <image:caption>Meindert Hobbema, Woodland Road, 1670.</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Meindert Hobbema, Farmland with a Pond and Trees, c. 1663-1664.</image:caption>
    </image:image>
  </url>
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    <loc>https://www.sitezones.net/reviews/nietzsche-frn-andra-sidan</loc>
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    <lastmod>2022-02-21</lastmod>
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      <image:caption>Christine Thomé at the press conference at the opening of the 18th Istanbul Biennial. Photo: Muhena Kahveci</image:caption>
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      <image:caption>Mike Bode in the exhibition Dark World, with the only remaining film poster with the original name of the film Dark World.</image:caption>
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      <image:title>ARTICLES - Notes from Istanbul: Vital Curatorial Practice - Make it stand out</image:title>
      <image:caption>Cevdet Erek in his exhibition Us and Them, Galleri Nev.</image:caption>
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      <image:caption>Installation with a giant pompom in making as a means to discuss difficult things, part of the exhibition We’ve Been at the Tapestry Studio sinxe the 90s, Salt Beyoğlu</image:caption>
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      <image:caption>View from the roof of Istanbul Modern (architect Renzo Piano). Photo: Power Ekroth</image:caption>
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      <image:caption>Édouard Joseph Dantan, Entracte d’une première à la Comédie-Française, ca. 1885. Musée Carnavalet, Histoire de Paris</image:caption>
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      <image:caption>The postmodern corner building by Hinrich Baller and Inken Baller north of Admiralbrücke</image:caption>
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      <image:caption>Robert Smithson, 'Hotel Palenque', 1969–72, diabildsspel och ljudinspelning från en föreläsning av konstnären från University of Utah, 1972 (42 min, 57 sek)</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>I denna medeltida bild ser vi Platons familj som tar med sig Platon i barnsängen för ett besök till Sokrates. En bisvärm svävar över den lille Platon. Bokillumination av Maître François i Augustinus, La Cité de Dieu (Vol. I), översättning från latin av Raoul de Presle, ca. 1475.</image:caption>
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      <image:caption>Florian Slotawa, Hotel Citta di Parenzo, Triest, Room 307, from the series Hotelarbeiten, installation, 1999.</image:caption>
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      <image:caption>Floran Slotawa, Besitzarbeit I Gesamtbesitz, installation 1996. Image: Künste Hamburg</image:caption>
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      <image:caption>Adriaen Coorte, Still Life with Asparagus, oil on canvas, 1697. Image: Rijksmuseum</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1e1b94f2-512a-4c96-a8e0-90dbcf049b5d/Juan+Sa%CC%81nchez+Cota%CC%81n%2C+Quince%2C+Cabbage%2C+Melon%2C+and+Cucumber%2C+1602.+%5BSan+Diego+Museum+of+Art%5D.jpg</image:loc>
      <image:title>ARTICLES - Distance from Nature as Ecology - Make it stand out</image:title>
      <image:caption>Juan Sánchez Cotán, Quince, Cabbage, Melon, and Cucumber, oil on canvas, 1602. Image: San Diego Museum of Art</image:caption>
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  </url>
  <url>
    <loc>https://www.sitezones.net/articles/situated-freedom</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/234084b7-5c5f-46f1-ab9a-a542307c885d/fig_1_Copyright_PeterAaron-OTTO-1.jpg</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 1) Pool in the roof of Villa dall’Ava (1991), St. Cloud, Paris, France, by OMA. Photograph by Peter Aaron (OTTO).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1f8bf479-b218-4b09-a511-96df4e86e1f7/fig_2_Hockney.png</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 2) Book cover: Reyner Banham Los Angeles the Architecture of Four Ecologies with the painting The Bigger Splash (1976) by David Hockney. Photograph of book by author.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/dacf5b48-2ee3-4442-a248-bdeea7ff4dfb/fig_3_emails_pools.png</image:loc>
      <image:title>ARTICLES - Situated Freedom - (Fig. 3) ArchDaily pool. Print-screen by author of the daily email from ArchDaily featuring a swimming pool.</image:title>
      <image:caption>ArchDaily pool. Print-screen by author of the daily email from ArchDaily featuring a swimming pool.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/44c91ae9-ff1d-4cd1-9538-f550f862be30/fig_4_LAVA6x6517.jpg</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 4) The house with the giraffe walking around. Photograph by Hans Werlemann, courtesy of OMA.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/b2f0e217-1d0b-42d6-a381-bbba7be1157d/fig_5_LAVA6x6434.jpg</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 5) The architect-lifeguards (collaborators at the OMA office) alongside the pool of Villa dall’Ava. Photograph by Hans Werlemann, courtesy of OMA.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/e6bbb15c-477a-49f5-ac81-0ce215cb782e/fig_6_the+arrival+of+the+pool.jpg</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 6) The Arrival of the Pool by Madelon Vriesendorp. Image courtesy of OMA.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/5a09b56a-41d3-4de4-a24e-bcc07c898f9f/fig_7_site_Screen+Shot+2017-06-21+at+11.56.54.png</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 7) The villa, which was designed for the family of three (the two parents and their daughter), is 250 square meters and stands in the 10th arrondissement of Paris, in a garden of 650 square meters; it is surrounded by nineteenth-century villas. Print-screen from Google Earth.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/13e8c92a-b76c-434a-878a-f3b4632005b6/fig_8_Lava_smlxl_0136.jpg</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 8) The long, narrow plot and the house is, like in many of OMA’s projects, is arranged in bands. The plot is divided into three bands, lengthwise: in the middle is the villa, to its left is the garden, and to its right is the paved entrance to the garage. The villa is divided into three bands as well, which run perpendicular to the bands of the plot: the parents’ apartment occupies the garden side, the daughter’s apartment is on the street side, and the pool sits in-between it all, a meeting point that connects the two private “boxes” of the parents’ and daughter’s apartments with the shared kitchen and living space below. Photograph by Hans Werlemann, courtesy of OMA.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/482abb9f-93be-441a-be01-7378038553b6/fig_9_Lava_smlxl_0174.jpg</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 9) The pool is a long, skewed strip of blue water sunken in the roof between the two boxes, hence the pool in the roof. Due to zoning regulations, the long walls of the house are not parallel. This enhances an effect that exaggerates the length of the building when viewed from one side and shortens it when viewed from the other side. Photograph by Hans Werlemann, courtesy of OMA.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/96c0c2d9-a417-4036-8f66-6939170d6741/fig_10_Screen+Shot+2017-08-16+at+12.37.08.png</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 10) The pool is 12 meters long and 3 meters wide, decreasing to 2 meters at its narrow side. The pool can be reached by stairs from the open-air, first floor balcony between the parents’ unit and their daughter’s unit. Access to the pool is via a straight aluminum ladder from the upper roof or from a narrow wooden boardwalk that connects one side of the pool to the lower roof. Still from the documentary Arte Baukunst in conversation with Rem Koolhaas in 1995. Print-screen by author.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1710937363246-KMUT4K1BI67T3VPA3LED/fig_11_villa-d-all-ava.jpg</image:loc>
      <image:title>ARTICLES - Situated Freedom</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1710937364617-RFPXF8G6S4E8RCJP9F7A/fig_12_Screen+Shot+2017-12-07+at+21.18.12.png</image:loc>
      <image:title>ARTICLES - Situated Freedom</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1d02a2d0-0038-4a21-8f71-1a52532a40b4/fig_13_protection.jpg</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 13) "All protection eliminated." Comments by Koolhaas on working drawings of Villa dall’Ava. Photograph of book by author.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/36a6a790-54d5-4fca-b148-81a80da36500/fig_14_Screen+Shot+2017-12-07+at+21.18.04.png</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 14) Pull-down ladder used to go up from the garden to the first floor, the roof, and the pool. Still from the documentary Arte Baukunst in conversation with Rem Koolhaas in 1995. Print-screen by author.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/49884075-0f7a-4d42-b4e1-cea181479d97/fig_15_Screenshot+2024-03-11+at+12.15.35.png</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 15) Backdoor aesthetics. Still from the documentary Arte Baukunst in conversation with Rem Koolhaas in 1995. Print-screen by author.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/3a82e6e4-9549-4341-bdf8-06b27d91e098/fig_16_Floirac+pool+by+Philippe+Roussille-4.jpg</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 16) The reflective surface of the Pool in nature merges with the nature surrounding it. Photograph by Philippe Roussille.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1710939385805-MN46EJN6XAXMPJFP4GPW/fig_17_Visionneuse-Floirac-2.jpg</image:loc>
      <image:title>ARTICLES - Situated Freedom</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1711195119022-MBBY1GZMKC7FHV8FMW84/fig_18_Screen+Shot+2017-04-04+at+11.59.07.png</image:loc>
      <image:title>ARTICLES - Situated Freedom</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/a72a3507-73b8-47df-8bd0-3a1121e767e6/fig_19_bordeaux.JPG</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 19) The pool is elevated at one end, laying flush with the grass field at the opposite end. Photograph by Philippe Roussille.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/d1333a95-3497-41e6-8c04-8bd58ccdcb15/fig_20_visionneuse-Floirac-8.jpg</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 20) The reflections of the surface extend the pool in nature beyond its own limits. Photograph by Philippe Roussille.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/e41d6df3-e5ab-494b-8f4b-2b9d0436b227/fig_21_Pool_Bordeaux.jpg</image:loc>
      <image:title>ARTICLES - Situated Freedom - Make it stand out</image:title>
      <image:caption>(Fig. 21) The pool in nature with people surrounding it in the field of the pool and nature. Photograph by Philippe Roussille.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/articles/in-memory-of-steve-paxton</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/17a19933-236e-423e-92f5-66cd68e8d0d7/6ebb8f39-c1b8-404d-bc11-a2166d79ba77_paxton.jpg</image:loc>
      <image:title>ARTICLES - In Memory of Steve Paxton - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/d9f9447c-e4ea-463d-8cef-013ba6ed2a4d/Bild1.jpg</image:loc>
      <image:title>ARTICLES - In Memory of Steve Paxton - Make it stand out</image:title>
      <image:caption>From a public Zoom-interview with Paxton in his home in dialogue with Myriam Van Imschoot and Tom Engels at Dansehallerne, Copenhagen, 2020. Photo Rasmus Ölme</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/articles/the-butterflies-will-all-be-hunted</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/67857157-68cc-49d2-bea3-c8dfac861806/Otar_Ioseliani_lido_1989_Pic+Gorup+de+Besanez.jpg</image:loc>
      <image:title>ARTICLES - The Butterflies Will All be Hunted - Make it stand out</image:title>
      <image:caption>Otar Iosseliani, Lido, 1989</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/43bb8a46-6e5c-45f5-b709-3df9190484b2/Falling+Leaves.jpg</image:loc>
      <image:title>ARTICLES - The Butterflies Will All be Hunted - Make it stand out</image:title>
      <image:caption>Still from Falling Leaves, 1966.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1752a018-07f7-4143-918d-1532498bfc7c/Pastorale.png</image:loc>
      <image:title>ARTICLES - The Butterflies Will All be Hunted - Make it stand out</image:title>
      <image:caption>Still from Pastorale, 1975.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/ccd29955-6deb-48d1-ab40-a8817e1ad09f/Blackbird.jpg</image:loc>
      <image:title>ARTICLES - The Butterflies Will All be Hunted - Make it stand out</image:title>
      <image:caption>Still from Once Upon a Time There Was a Singing Blackbird, 1970</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/cf71426a-9305-49b4-91a5-6534d6f59922/The+Butterfly+Hunt.jpg</image:loc>
      <image:title>ARTICLES - The Butterflies Will All be Hunted - Make it stand out</image:title>
      <image:caption>Still from The Butterfly Hunt, 1992</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/2c25198f-cc56-447a-a214-5c5e0ca15689/BRIGANDS_CHAPITRE-VII.jpeg</image:loc>
      <image:title>ARTICLES - The Butterflies Will All be Hunted - Make it stand out</image:title>
      <image:caption>Still from Brigands-Chapter VII, 1996</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/36347c3b-704f-405d-bbb6-2c070084be15/Winter+song.jpg</image:loc>
      <image:title>ARTICLES - The Butterflies Will All be Hunted - Make it stand out</image:title>
      <image:caption>Still from Winter Song, 2015</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/articles/bsta-2023-bcker</loc>
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    <lastmod>2025-12-21</lastmod>
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      <image:title>ARTICLES - Bästa 2023: Böcker - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/130928ae-6555-4228-8b61-ced3810fd2bc/754906.jpg</image:loc>
      <image:title>ARTICLES - Bästa 2023: Böcker - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>ARTICLES - Bästa 2023: Böcker - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.sitezones.net/articles/bsta-2023-litteratur</loc>
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    <lastmod>2025-12-21</lastmod>
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      <image:title>ARTICLES - Bästa 2023: Litteratur - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Elis Burrau</image:caption>
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    <loc>https://www.sitezones.net/articles/basta2023konst</loc>
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    <lastmod>2025-12-21</lastmod>
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      <image:caption>Haus der Kulturen der Welt</image:caption>
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      <image:caption>Bonaventure Soh Bejeng Ndikung</image:caption>
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      <image:caption>Image from the exhibition When Attitude Becomes Form, 1969, curated by Harald Szeemann at Kunsthalle Bern</image:caption>
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      <image:caption>Still fra “The Good, the Bad, the Ugly” 1966</image:caption>
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      <image:caption>BILDTEXT</image:caption>
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      <image:caption>Édouard Manet, Reclining Young Woman in Spanish Costume, 1862.</image:caption>
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    <lastmod>2023-05-02</lastmod>
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      <image:caption>Den kvinnliga faraon Hatshepsut är borthuggen ur väggen i Ammon-Ras tempel i Luxor av sin efterföljare, Thutmose III, som ville ta bort henne ur historien och ersätta hennes gärning med sin egen. Tack vare denna handling lyckades han förmodligen göra det omvända. Platon kallade Luxor för Egyptiska Thebes. Enligt Sokrates, så var det också just på denna plats som mötet mellan Thoth och Ammon skulle ha ägt rum, alltså det möte som, enligt Derrida, skildrar ersättandets mekanismer och relationen mellan texten (Thoth) och talet (Ammon).</image:caption>
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      <image:caption>Thoth, eller Theuth, som Platon också kallar honom, står näst längst till höger. Derrida beskriver honom på följande sätt. ”Man vore frestad att säga att […] hans funktion [är att] arbeta för en subversiv upplösning av identiteten i allmänhet […] Han låter sig inte tilldelas någon fast plats […] Listig, ogripbar, maskerad, intrigör och gycklare som Hermes är han varken kung eller betjänt; snarare ett slags joker […] ett neutralt kort som sätter leken i spel […] Thoth är aldrig närvarande. Ingenstans dyker han upp i egen person. Ingen därvaro kan vara hans egen. […] Han har han varken egen plats eller eget namn. Hans proprietet är improprietet, den flytande obestämdhet som möjliggör ersättandet och spelet”. Jacques Derrida Platons Apotek</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/articles/michel-majerus</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2023-06-27</lastmod>
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      <image:title>ARTICLES - Michel Majerus - Michel Majerus, Scheiss leben, 1991</image:title>
      <image:caption>Michel Majerus, Scheiss Leben, 1991.</image:caption>
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      <image:title>ARTICLES - Michel Majerus - Make it stand out</image:title>
      <image:caption>A map of the exhibitions with Majerus’ works during 2022 from the webpage www.michelmajerus2022.com.</image:caption>
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      <image:title>ARTICLES - Michel Majerus</image:title>
      <image:caption>kosuth majerus sonderborg – an installation by Joseph Kosuth, Michel Majerus Estate, Berlin, 2022. ©Joseph Kosuth / VG Bild-Kunst, Bonn 2022</image:caption>
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      <image:title>ARTICLES - Michel Majerus - Make it stand out</image:title>
      <image:caption>Michel Majerus, Fuck, 1992. Photo from KunstWerke by Power Ekroth.</image:caption>
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      <image:title>ARTICLES - Michel Majerus - Make it stand out</image:title>
      <image:caption>Installation image, KunstWerke, Berlin. Photo: Power Ekroth</image:caption>
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      <image:title>ARTICLES - Michel Majerus - Make it stand out</image:title>
      <image:caption>Michel Majerus, controlling the moonlight maze, 2002, Foto: Doc Baumann, photo from the exhibition “Images” im Museum Fridericianum, Kassel</image:caption>
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      <image:title>ARTICLES - Michel Majerus - Make it stand out</image:title>
      <image:caption>Michel Majerus, eins, zwei, drei, 1992.</image:caption>
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      <image:title>ARTICLES - Michel Majerus</image:title>
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      <image:title>ARTICLES - Michel Majerus</image:title>
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      <image:title>ARTICLES - Michel Majerus</image:title>
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      <image:title>ARTICLES - Michel Majerus - Make it stand out</image:title>
      <image:caption>Wawa Tokarski about his friend and study buddy, Michel Majerus.</image:caption>
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      <image:title>ARTICLES - Michel Majerus</image:title>
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      <image:title>ARTICLES - Michel Majerus - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>ARTICLES - Michel Majerus - Make it stand out</image:title>
      <image:caption>Michel Majerus, the space is where you’ll find it, 2000</image:caption>
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      <image:caption>Michel Majerus, Sozialpalast, 2002.</image:caption>
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      <image:caption>Michel Majerus in his studio, ca. 2001. Photo: Edith Majerus.</image:caption>
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  </url>
  <url>
    <loc>https://www.sitezones.net/articles/raving-in-the-conference-hall</loc>
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    <lastmod>2023-03-04</lastmod>
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      <image:title>ARTICLES - Raving in the conference hall - Make it stand out</image:title>
      <image:caption>Transmediale at Akademie der Künste, 2023, photo by Silke Briel.</image:caption>
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      <image:caption>Ayoung Kim, Delivery Dancer’s Sphere (still cut), 2022, Single channel video, 25 min, image Gallery Hyundai.</image:caption>
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      <image:caption>Transmediale discussion, photo by Isabel Löfgren</image:caption>
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  </url>
  <url>
    <loc>https://www.sitezones.net/articles/melancholia</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2023-03-04</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>ARTICLES - BÄSTA 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.sitezones.net/articles/bsta-2022</loc>
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    <lastmod>2022-12-17</lastmod>
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      <image:title>ARTICLES - BÄSTA 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>ARTICLES - BÄSTA 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.sitezones.net/articles/bst-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-16</lastmod>
    <image:image>
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      <image:title>ARTICLES - BÄSTA 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>ARTICLES - BÄSTA 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>ARTICLES - BÄSTA 2022 - Make it stand out</image:title>
      <image:caption>Toshiko Okanoue, The Call, 1953.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/articles/arkitektur-bortom-det-byggda</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-16</lastmod>
    <image:image>
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      <image:title>ARTICLES - Arkitektur bortom det byggda - Make it stand out</image:title>
      <image:caption>Modell i lera av Stefan Alenius, från utställningen Manierismer på Konstakademien, Stockholm 1980.</image:caption>
    </image:image>
    <image:image>
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      <image:title>ARTICLES - Arkitektur bortom det byggda - Make it stand out</image:title>
      <image:caption>Arbetsmaterial i arkitekt Stefan Alenius arbetsrum, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/ee3ee424-16d6-4139-a11d-bbdd249897e5/v%C3%A5bry+h%C3%B6rn.jpg</image:loc>
      <image:title>ARTICLES - Arkitektur bortom det byggda - Make it stand out</image:title>
      <image:caption>Rött och blått från golv till tak markerar ett hörn i kontorsdelen i Vårby gårds kyrka. Arkitekt Harald Thafvelin, 1975.</image:caption>
    </image:image>
    <image:image>
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      <image:title>ARTICLES - Arkitektur bortom det byggda - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>ARTICLES - Arkitektur bortom det byggda - Make it stand out</image:title>
      <image:caption>Utställningen provokationer visades på Kulturhuset i Stockholm 1982</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/3b78ac65-1f52-4cc2-9fdd-653d69fee3d4/13_malmquist_9.jpg</image:loc>
      <image:title>ARTICLES - Arkitektur bortom det byggda - Make it stand out</image:title>
      <image:caption>Hörnet Rådmansgatan/Upplandsgatan, till höger hus ritat av Sune Malmquist 1979.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/articles/postmodern-erosion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-12</lastmod>
    <image:image>
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      <image:title>ARTICLES - Postmodern erosion - Make it stand out</image:title>
      <image:caption>Ola Billgren, Nitton romantiska landskap XVll, 1981</image:caption>
    </image:image>
    <image:image>
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      <image:title>ARTICLES - Postmodern erosion - Make it stand out</image:title>
      <image:caption>Dick Bengtsson. Courtesy of Turun Taidemuseo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/e49da670-e98f-4f15-b9fb-261d12705f6a/lovin-bjorn-installationsvy-l-image-ilac-1981_f_mats-b.jpg</image:loc>
      <image:title>ARTICLES - Postmodern erosion - Make it stand out</image:title>
      <image:caption>Björn Lövin, Installation view L’Image–Exposition de Björn Lövin pour International Life Assurance Company ILAC, Centre Pompidou, 1981 ©Björn Lövin Photo: Mats B</image:caption>
    </image:image>
    <image:image>
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      <image:title>ARTICLES - Postmodern erosion - Make it stand out</image:title>
      <image:caption>Niki de Saint Phalle, Jean Tinguely, Per Olof Ultvedt, Skiss till utställningen Hon – en katedral, Moderna Museet, 1966 © Niki de Saint Phalle, Jean Tinguely, Per Olof Ultvedt</image:caption>
    </image:image>
    <image:image>
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      <image:title>ARTICLES - Postmodern erosion - Make it stand out</image:title>
      <image:caption>Lars Nilsson, from the Dandy Suite</image:caption>
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      <image:title>ARTICLES - Postmodern erosion - Make it stand out</image:title>
      <image:caption>Ingrid Orfali, La Chute d’Ariane - Challenge for bloody bastards, 1986, Moderna Museets samling</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/articles/postmodernismen-i-backspegeln</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-11</lastmod>
    <image:image>
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      <image:title>ARTICLES - Postmodernismen i backspegeln - Make it stand out</image:title>
      <image:caption>Dan Wolgers, Utan titel (jävla), 1977. © Viveca Ohlsson / Malmö Konstmuseum</image:caption>
    </image:image>
    <image:image>
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      <image:title>ARTICLES - Postmodernismen i backspegeln - Make it stand out</image:title>
      <image:caption>Dan Wolgers, Oh, Lord, 1994. © Viveca Ohlsson / Malmö Konstmuseum</image:caption>
    </image:image>
    <image:image>
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      <image:title>ARTICLES - Postmodernismen i backspegeln - Make it stand out</image:title>
      <image:caption>Måns Wrange, Psychomobile, 1994 i förgrunden, tre målningar av Eva Löfdal. © Viveca Ohlsson / Malmö Konstmuseum</image:caption>
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      <image:title>ARTICLES - Postmodernismen i backspegeln - Make it stand out</image:title>
      <image:caption>Maya Eizin Öijer Continence IV, 1988. © Viveca Ohlsson / Malmö Konstmuseum</image:caption>
    </image:image>
    <image:image>
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      <image:title>ARTICLES - Postmodernismen i backspegeln - Make it stand out</image:title>
      <image:caption>Matts Leiderstam Utan Titel, 1989. © Viveca Ohlsson / Malmö Konstmuseum</image:caption>
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  </url>
  <url>
    <loc>https://www.sitezones.net/articles/jean-luc-godard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-26</lastmod>
  </url>
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    <loc>https://www.sitezones.net/articles/discours-figure-50-years-after</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
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      <image:title>ARTICLES - Discours, figure 50 Years After - Make it stand out</image:title>
      <image:caption>Stéphane Mallarmé, Un coup de dés jamais n’abolira le hasard (1897), autograph layout from 1896.</image:caption>
    </image:image>
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      <image:title>ARTICLES - Discours, figure 50 Years After - Marcel Broodthaers “Exposition Littéraire autour de Mallarmé'” (Wide White Space Gallery, Antwerp, 1969). The exhibition presented a copy of Mallarmé's book with two pages visible, together with a series of metal plates engraved with black impressions representing the text, and a recording of Broodthaers reciting the poem.</image:title>
    </image:image>
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      <image:title>ARTICLES - Discours, figure 50 Years After - Masaccio, Santa Trinità (1425-1427), Dominican church of Santa Maria Novella, Florence.</image:title>
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    <image:image>
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      <image:title>ARTICLES - Discours, figure 50 Years After - Make it stand out</image:title>
      <image:caption>Paul Cézanne, Mont Sainte-Victoire (1904-1906). Musée d’Orsay, Paris.</image:caption>
    </image:image>
    <image:image>
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      <image:title>ARTICLES - Discours, figure 50 Years After</image:title>
      <image:caption>Leonardo d Vinci, The Virgin and Child with Saint Anne (ca. 1501-1518). Louvre, Paris.</image:caption>
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    <image:image>
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      <image:title>ARTICLES - Discours, figure 50 Years After - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/c51875d7-507a-45a7-8a19-9b8cf24f453c/IlsE0illTw0lacIO.png</image:loc>
      <image:title>ARTICLES - Discours, figure 50 Years After - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/7455ac1a-16c0-4fc3-8e57-48b71d4e6392/0pMYdB4H7IaDNCpf.png</image:loc>
      <image:title>ARTICLES - Discours, figure 50 Years After - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>ARTICLES - Discours, figure 50 Years After - Make it stand out</image:title>
      <image:caption>El Lissitzky, Клином красным бей белых!, Beat the Whites with the Red Wedge!</image:caption>
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  </url>
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    <loc>https://www.sitezones.net/articles/extatisk-kommunism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/34db31bd-c906-428d-b6c0-90ff2bdbf8ac/BILD+1.jpg</image:loc>
      <image:title>ARTICLES - Extatisk kommunism - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/ff019c6f-e892-4586-bf23-9cfbc599888b/BILD+2.jpg</image:loc>
      <image:title>ARTICLES - Extatisk kommunism - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/768951cf-537c-4174-89e6-8f9af43a8324/BILD+3.png</image:loc>
      <image:title>ARTICLES - Extatisk kommunism - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>ARTICLES - Extatisk kommunism - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/10b5514c-61e9-49f7-a033-94b094e72bc3/BILD+5.jpg</image:loc>
      <image:title>ARTICLES - Extatisk kommunism - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>ARTICLES - Extatisk kommunism - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.sitezones.net/articles/muted-histories</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
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      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg - Make it stand out</image:title>
      <image:caption>The house of Nobel, the plant, and the colony (on the Vyborg Embankment). An illustration from The Mechanical Plant Ludvig Nobel anniversary book (1912).</image:caption>
    </image:image>
    <image:image>
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      <image:caption>A view to the industrial area in St. Petersburg next to the Bolsheokhtinsky Bridge over the Neva River. Photo by Grigory Brazhnik, 2021.</image:caption>
    </image:image>
    <image:image>
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      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg - Make it stand out</image:title>
      <image:caption>Siemens &amp; Halske Plant in St. Petersburg.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631063921733-EFGPORDSKVOX8M6BV7MI/Fig.4.+View+to+the+Malaya+Konyushennaya+Street.JPG</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg - Make it stand out</image:title>
      <image:caption>View to the “Swedish Corner” in St. Petersburg: Malaya Konushennaya Street with the St. Catherine Church (Sankta Katarina kyrka). Photo by Irina Seits, 2021.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631100823608-T24AWCOPVHQTVWGVFYTY/Fig.5.+St.+Maria+Church.JPG</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg - Make it stand out</image:title>
      <image:caption>The “Finnish” Evangelical Lutheran Church of Saint Mary (Pyhän Marian kirkko) at Bol’shaya Konushennaya Street. Photo by Irina Seits, 2021.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631100922994-ZBDM4HQEIVOQ2EFUXMGH/Fig.6.+Branobel+Administrative+Building.JPG</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg - Make it stand out</image:title>
      <image:caption>The Administrative building of The Branobel at the Griboyedov Canal in St. Petresburg; a former mansion of M.A. Gorchakov rebuilt by Fredrick Lidvall for the Nobel’s company in 1909. Photo by Irina Seits, 2021.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631128555702-NR0WCOU5VSD4CJCMA7U0/Fig.7.+Immanuel+Nobel+1801-1872.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg</image:title>
      <image:caption>Immanuel Nobel (1801-1872).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631128669496-YLRXQB9NBLATH9V2ZCOS/Fig.8.+Nobel+and+Duke.+Explosion.png</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg</image:title>
      <image:caption>“An underwater mine explosion in presence of His Imperial Majesty Grand Duke Mikhail Pavlovich in 1837.” An illustration from the Mechanical Plant Ludvig Nobel anniversary book (1912).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631128987340-5FH4E5ALCSYGWIWRE5SN/Fig.9.+Nobel%27s+house.png</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg</image:title>
      <image:caption>“The house and the office of the Ludvig Nobel Plant in the first years of its existence.” An illustration from the Mechanical Plant Ludvig Nobel anniversary book (1912).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631129371392-CAQ1H8JFA2Y9JV9FTWV6/Fig.10.+The+First+Oil+tanker+Zoroaster+%281878%29.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg</image:title>
      <image:caption>Zoroaster, the first oil tanker (1878)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631129486795-MNBWNPWB1TT3Z96MLLUP/Fig.11.+Ludvig+Nobel+.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg</image:title>
      <image:caption>Ludvig Nobel (1831-1888)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631129580834-G1525N39RSZMN3IDH4C5/Fig.12.+Ludvig+Nobel+Plant+Cover.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg - Make it stand out</image:title>
      <image:caption>The title page of The Mechanical Plant Ludvig Nobel anniversary book (1912).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631130492393-U0LKA02A68UA0WAZMH31/Fig.13.+Ericsson+Plant.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg</image:title>
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      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631130120148-XF7G9QVDGRWJPBOFYHEF/Fig.14.+Odhner+Arithmometer.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg</image:title>
      <image:caption>Odhner Arithmometer, original design.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631130577015-CJG45WJF40R2CL4CPN0S/Fig.15.+Nobel%27s+mansion.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg</image:title>
      <image:caption>View to the Nobel’s mansion on Vyborgskaya Embankment. An old postcard.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631130763953-74CXR4OYN8NSG7KJD13F/Fig.16.+Foundary+Shop..png</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg - Make it stand out</image:title>
      <image:caption>Iron-foundry shop. Photo by Irina Seits, 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631131001729-WBKQF0BTFJJ9MTII0FKW/Fig.17.+Nobel+Town+Blocks.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631131577937-VISW8X29BCAUS4HZPLV2/Fig.18.%2BSchool%2Band%2Bclassroom.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg</image:title>
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      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg - Make it stand out</image:title>
      <image:caption>Mansion of Emanuel Nobel. Photo by Irina Seits, 2021.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631131823764-FYN8UTZJO0F2W4RNBR51/Fig.21.+People%27s+house.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg - Make it stand out</image:title>
      <image:caption>People’s House. Photo by Irina Seits, 2021</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631131971821-MJKNOI06Y25MTPURJUS7/Fig.22.+Marta+Helena+N-O.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg</image:title>
      <image:caption>Marta Helena Nobel-Oleinikoff (1881-1873)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631132003447-X336DQKHNOWFWJPACHT1/Fig.23.+Lidvall+House.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg - Make it stand out</image:title>
      <image:caption>The Apartment ‘profitable’ house. Photo by Irina Seits, 2021.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631132107011-YETYWBYVTSCT33MR5VEF/Fig.24.+Lidvall+Arcade+.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg - Make it stand out</image:title>
      <image:caption>The arcade of the apartment ‘profitable’ house. Photo by Irina Seits, 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631132185086-JGE2JR6P2957SCY1WW6F/Fig.25.+Russian+Diesel+Plant.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg - Make it stand out</image:title>
      <image:caption>The former Ludvig Nobel Plant (Russian Diesel Plant). Photo by Irina Seits, 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631132307340-WF94VVQ6CO4J1QSO78O5/Fig.26.+Nobel+Mansion%2C+Pirogovskaya.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg - Make it stand out</image:title>
      <image:caption>The Nobel’s house on the Pirogovskaya embankment. Photo by Irina Seits, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631132374640-DY0290BMY0XZG9D2I5U1/Fig.27.+Monument+to+Alfred+Nobel.png</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg</image:title>
      <image:caption>Monument to Alfred Nobel on Petrogradskaya Embankment. Photo by Irina Seits, 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631132454855-YEZEKUHJ2YPAOQVPZTBN/Fig.28.+Pirogovskaya+Embankment.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg</image:title>
      <image:caption>A view to the Pirogovskaya Embankment and the Nobel’s House. Photo by Irina Seits, 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631132654924-XJJZO9MXWTYX5P0231DT/Fig.29.+Arcade+ceiling.+.jpg</image:loc>
      <image:title>ARTICLES - Muted histories and re-united memories: Swedish industrial heritage in St.&amp;nbsp;Petersburg - Make it stand out</image:title>
      <image:caption>A view within the arcade of the apartment house by Lidvall in the Nobel Town. Photo by Irina Seits, 2021.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/articles/re-visioning-mies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631009507801-GMXENJYAH0H9WA0E0B86/behrens.png</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631009588168-VHKWZ9VMMDZ2GAPH7IAA/barce.png</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631011892144-8LH6EQE82IFNZJZ4SQGQ/farn.png</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies - Mies van der Rohe, Farnsworth House, Plano, Illinois, 1951</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631012086743-ELNY8LBE32EJ4BNIBMB5/S.R._Crown_Hall.jpg</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631017122282-NW39WEHX0P6VV4VQ77VZ/SEAGRAM.jpg</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631016952384-CE9GU8M5SA416OAJF0AK/Seagram_Building_%2835098307116%29.jpg</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631012886405-DIN9JB51LI7NY80H41XB/gdaolldepgnkdnco.png</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies - Make it stand out</image:title>
      <image:caption>Mies van der Rohe, urban design proposal for Alexanderplatz, Berlin-Mitte, 1929. Aerial perspective view. With Photomontage (lost) originally published in Das Neue Berlin, February 1929.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631013156899-X7CONF5S9W2YXP9OUQ8C/IBM_Rochester.jpg</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies - Make it stand out</image:title>
      <image:caption>Eero Saarinen, IBM manufacturing and training facility, 1958 Rochester, Minnesota.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631013523887-0KOXLQPAWTRJBFSNQS1Z/mw_1.jpg</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies - Make it stand out</image:title>
      <image:caption>Veronika Kellendorfer, installation view Neue Nationalgalerie, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1630857106622-6XLXD49XGD29B9PABKKF/Michael+Wesely%2C+Neue+Nationalgalerie+Berlin+%281.4.2016+%E2%80%93+25.10.2018%29.jpg</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies - Make it stand out</image:title>
      <image:caption>Michael Wesely, Neue Nationalgalerie Berlin (1.4.2016 – 25.10.2018)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631014018199-NJOUHWOXHJ9IGA3XDLC9/csm_XL_RBA_NNG_04_xl_1233b4d477.jpg</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631014022426-TOJ3Q3YT8S46C48PFEZ6/csm_XL_RBA_NNG_07_xl_ba5fb36e88.jpg</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631014026893-AO8ES7WFPBIHI7JGA56M/csm_NNG_Barba_Fromsourcetopoem_Poster_xl_b3c5b207a4.jpg</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631014031383-EFTPEPX2VVK9W2RZTMA1/csm_NNG_Barba_Fromsourcetopoem_II_xl_99d5ccfeab.jpg</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631014267118-IU77N3M82VAJDVKSIKTR/Mies+van+der+Rohe%27s+sketch+of+the+Brick+Country+House%2C+aka+Brick+Country+Villa.+Image+via+5+Projects+Interview+5+-+Alex+Maymind+on+Archinect..jpg</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies - Make it stand out</image:title>
      <image:caption>Mies van der Rohe's sketch of the Brick Country House, aka Brick Country Villa. Image via "5 Projects: Interview 5 - Alex Maymind" on Archinect.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631014373729-5FLAEV93AUE089ULARWO/jp21_0001.jpg</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies - Make it stand out</image:title>
      <image:caption>Jorge Pardo, Untitled, 2021. © Jorge Pardo. Courtesy the artist and neugerriemschneider, Berlin</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631014491183-FHBP7B9T8LMK6WS79GJP/_LIN0003.jpg</image:loc>
      <image:title>ARTICLES - Re-Visioning Mies</image:title>
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      <image:title>ARTICLES - Re-Visioning Mies</image:title>
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      <image:title>ARTICLES - Re-Visioning Mies</image:title>
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      <image:title>ARTICLES - Re-Visioning Mies</image:title>
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      <image:title>ARTICLES - Re-Visioning Mies</image:title>
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      <image:caption>Fig.1. Russian Pillage (rysshärjningarna) of 1719 in Södertälje. Photo by Oleksandr Polianichev, 2020.</image:caption>
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      <image:title>ARTICLES - Swedish Heritage in St. Petersburg</image:title>
      <image:caption>Pierre-Denis Martin. The Battle of Poltava, 1726.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1620379060724-8HBIXAAG8UFDEM1KDCF9/Fig.3.+Alexandre+Benois.+Peter+the+Great+Meditating+the+Idea+of+Building+St.+Petersburg+at+the+Shore+of+the+Baltic+Sea%2C+1916..jpg</image:loc>
      <image:title>ARTICLES - Swedish Heritage in St. Petersburg</image:title>
      <image:caption>Alexandre Benois. Peter the Great Meditating the Idea of Building St. Petersburg at the Shore of the Baltic Sea, 1916.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1620379331646-CT4IG2IVIXW223KNKEB6/Fig.4.+Fountain+Samson+in+Peterhoff.+Photo+by+Irina+Seits%2C+2009..JPG</image:loc>
      <image:title>ARTICLES - Swedish Heritage in St. Petersburg</image:title>
      <image:caption>Fountain Samson in Peterhoff. Photo by Irina Seits, 2009.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1620381183988-0HB4HV1KR0OVMLSB8B5Z/Fig.5.+Benjamin+Patersen.+View+tp+the+Spit+of+the+Vasilijevksy+Island+and+the+Stock+Exchange%2C+1807.+From+the+Hermitage+museum+collection..jpg</image:loc>
      <image:title>ARTICLES - Swedish Heritage in St. Petersburg</image:title>
      <image:caption>Benjamin Patersen. View tp the Spit of the Vasilijevksy Island and the Stock Exchange, 1807. From the Hermitage museum collection.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1620384948643-NDAHKILAX00FHZ9LRHE8/Fig.6.+Rostral+Column+in+St.+Petersburg.+Photo+by+Lana+Svetlitskaya%2C+2021..jpg</image:loc>
      <image:title>ARTICLES - Swedish Heritage in St. Petersburg</image:title>
      <image:caption>Rostral Column in St. Petersburg. Photo by Lana Svetlitskaya, 2021.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1620381574400-P0RZXVTW1SCSE62329RD/Fig.7.Alexandre+Benois.+Frontispis+to+a+publication+cover+of+the+Alexander+Pushkin%27s+Poem+The+Bronze+Horseman%27%2C+1905.jpg</image:loc>
      <image:title>ARTICLES - Swedish Heritage in St. Petersburg - Alexandre Benois. Frontispis to a publication cover of the Alexander Pushkin's Poem The Bronze Horseman', 1905.</image:title>
      <image:caption>Alexandre Benois. Frontispis to a publication cover of the Alexander Pushkin's Poem The Bronze Horseman', 1905.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1620383959282-RHLG2NZZWUFYW0G0ACCG/Fig.8.+Model+of+the+Nyenschantz+Fortress+and+the+Nyen+city+from+the+Nyenschantz+Museum+in+St.+Petersburg.+Photo+by+Evgeny+Gerashchenko%2C+2007..jpg</image:loc>
      <image:title>ARTICLES - Swedish Heritage in St. Petersburg</image:title>
      <image:caption>Model of the Nyenschantz Fortress and the Nyen city from the Nyenschantz Museum in St. Petersburg. Photo by Evgeny Gerashchenko, 2007.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1620385425826-VF9HTBJ7P14H535B0FZW/Fig.9.+The+Nobel+Mansion+on+Pirogovskaya+Embankment+in+St.+Petersburg.+Photo+by+Irina+Seits%2C+2016..JPG</image:loc>
      <image:title>ARTICLES - Swedish Heritage in St. Petersburg</image:title>
      <image:caption>The Nobel Mansion on Pirogovskaya Embankment in St. Petersburg. Photo by Irina Seits, 2016.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1620385538013-37DXF06YN30SKSL63REX/Fig.10.+Ludvig+Nobel+%28Russian+Diesel+Plant%29+in+St.+Petersburg.+Photo+by+Irina+Seits%2C+2021..jpg</image:loc>
      <image:title>ARTICLES - Swedish Heritage in St. Petersburg</image:title>
      <image:caption>Ludvig Nobel (Russian Diesel Plant) in St. Petersburg. Photo by Irina Seits, 2021.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1620381959086-TKRH23SUEXB7ES10O59C/Fig.11.+Swedish+Church+of+St.+Cathering+in+St.+Petersburg+%28Sankta+Katarina+kyrka%29%2C+photo+of+the+1900s.jpg</image:loc>
      <image:title>ARTICLES - Swedish Heritage in St. Petersburg - Swedish Church of St. Catherine in St. Petersburg (Sankta Katarina kyrka), photo of the 1900s</image:title>
      <image:caption>Swedish Church of St. Catherine in St. Petersburg (Sankta Katarina kyrka), photo of the 1900s</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1620386338481-2I5NTESMGN8P4BH6KBZ0/Fig.11.%2BSwedish%2BEvangelical%2BLutheran%2BChurch%2Bof%2BSt.%2BCatherine%2Bin%2BSt.%2BPetersburg%2B%2528Sankta%2BKatarina%2Bkyrka%2529%252C%2Bphoto%2Bby%2BYoshi%2BCanopus%252C%2B2009..jpg</image:loc>
      <image:title>ARTICLES - Swedish Heritage in St. Petersburg - Swedish Evangelical Lutheran Church of St. Catherine in St. Petersburg (Sankta Katarina kyrka), photo by Yoshi Canopus, 2009.</image:title>
      <image:caption>Swedish Evangelical Lutheran Church of St. Catherine in St. Petersburg (Sankta Katarina kyrka), photo by Yoshi Canopus, 2009.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1620382170251-0PKSBRD8AAGI0KG3FS9O/Fig.13.+German+Reformed+Church+in+St.+Petersburg.+A+postcard+from+the+1900s.+.jpg</image:loc>
      <image:title>ARTICLES - Swedish Heritage in St. Petersburg - German Reformed Church in St. Petersburg. A postcard from the 1900s.</image:title>
      <image:caption>German Reformed Church in St. Petersburg. A postcard from the 1900s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1620384212937-VNBQQ1ZDSLE7XBENE9B4/Fig.14.+Postal+Workers+House+of+Culture+%28former+German+reformed+Church%29+in+Saint+Petersburg+after+reconstruction%2C+photo+by+Alex+Fedorov%2C+2013..jpg</image:loc>
      <image:title>ARTICLES - Swedish Heritage in St. Petersburg</image:title>
      <image:caption>Postal Workers House of Culture (former German reformed Church) in Saint Petersburg after reconstruction, photo by Alex Fedorov, 2013.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1620460685735-5EYVLQ7VYSNOJKPSZJ7U/Fig.15.+The+Bronze+Horseman+%28monument+to+Peter+the+Great%29.+Photo+by+Lana+Svetlitskaya%2C+2021..jpg</image:loc>
      <image:title>ARTICLES - Swedish Heritage in St. Petersburg</image:title>
      <image:caption>The Bronze Horseman (monument to Peter the Great). Photo by Lana Svetlitskaya, 2021.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1620386483163-6IEUFEL6WE137A5DDZT4/Fig.16.+Monument+to+Vladimir+Lenin+at+Finlandsky+Railway+Station%2C+a+Soviet+Stamp..jpg</image:loc>
      <image:title>ARTICLES - Swedish Heritage in St. Petersburg</image:title>
      <image:caption>Monument to Vladimir Lenin at Finlandsky Railway Station, a Soviet Stamp.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1620387409271-U37OWYOZCJEWLRQ3JF7E/Fig.17.+View+to+the+heart+of+the+city+-+Peter+%26+Paul+Fortress.+Photo+by+Grigory+Brazhnik%2C+2020..jpg</image:loc>
      <image:title>ARTICLES - Swedish Heritage in St. Petersburg</image:title>
      <image:caption>View to the heart of the city - Peter &amp; Paul Fortress. Photo by Grigory Brazhnik, 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/articles/spacepowercontrol</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2021-06-30</lastmod>
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      <image:title>ARTICLES - Space, Power, Control</image:title>
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      <image:title>ARTICLES - Space, Power, Control</image:title>
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      <image:title>ARTICLES - Space, Power, Control</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1616927731887-FQZI2BZ81GS114PJPPRD/2016_NYR_12626_0047_000%28germaine_krull_metal%29.jpg</image:loc>
      <image:title>ARTICLES - Space, Power, Control</image:title>
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      <image:title>ARTICLES - Space, Power, Control</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1616929562236-4JIVGDBV0BDUPY7OLFMP/germaine-krull-la-tour-eiffel.jpg</image:loc>
      <image:title>ARTICLES - Space, Power, Control</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1616929767337-DSBXQMQRTGGJ93IJ3V1S/schmarsow1894.jpg</image:loc>
      <image:title>ARTICLES - Space, Power, Control</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1616925496012-CNRMBEJ10PZ9EKEIAFQ1/kjpiaikffokdgcik.png</image:loc>
      <image:title>ARTICLES - Space, Power, Control - Illustration on page 236 in Laszlo Moholy-Nagy, von material zu architektur, a facimile of the 1929 edition (Florian Kupferberg, 1968)</image:title>
      <image:caption>Translation of the original caption: “from two photographs (negative) copied onto each other arises the illusion of spatial interpenetration, which perhaps can be experienced in reality only by a later generation--in the form of glass architecture.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1616930036084-8DI42JF59CWBR34W4QMD/Van-Nelle-Ontwerp-Fabriek-Rotterdam-full_rgb_2731_%C2%A9-NBTC.jpg</image:loc>
      <image:title>ARTICLES - Space, Power, Control</image:title>
      <image:caption>Van Nelle factory, 1925-1931, Rotterdam. Architect Leendert van der Vlugt from the Brinkman &amp; Van der Vlugt office in cooperation with civil engineer J.G. Wiebenga.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/articles/bauhaus-fabricating-the-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-01</lastmod>
    <image:image>
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      <image:caption>A large-scale property development in Spain, indefinitely on hold. (Jon Nazca / Reuters)</image:caption>
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      <image:title>ARTICLES - Bauhaus – Fabricating the Future</image:title>
      <image:caption>Visual representation of the skyscraper index. Barry Ritholtz, ‘The Big Picture’, at http://www.ritholtz.com/blog/wp-content/uploads/2012/02/skyscraper.png</image:caption>
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      <image:title>ARTICLES - Bauhaus – Fabricating the Future</image:title>
      <image:caption>DUS Architects and Studio for Unsolicited Architecture, The Bucky Bar (2010). A temporary bar inspired by Buckminster Fuller’s geodesic domes, constructed out of red umbrellas.</image:caption>
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      <image:title>ARTICLES - Bauhaus – Fabricating the Future</image:title>
      <image:caption>John Morefield, stand at farmer’s market for architecture consultations (Seattle, 2009)</image:caption>
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      <image:caption>Walter Gropius, Bauhaus teaching program</image:caption>
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      <image:caption>Morning exercises at Itten College in Berlin, 1930</image:caption>
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      <image:caption>Van Bo le Mentzel, ‘Build more, buy less.’</image:caption>
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      <image:title>ARTICLES - Bauhaus – Fabricating the Future</image:title>
      <image:caption>Plein 12, workshop on Sennett and steel, led by Ralph Brodrück, TU Eindhoven, and Lara Schrijver, TU Delft</image:caption>
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      <image:title>ARTISTS ON ARTISTS - Katarina Löfström om Stefan Johansson</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1708426169360-KVDTRGJEL8U4ZACN8UI1/An+Island1.png</image:loc>
      <image:title>ARTISTS ON ARTISTS - Katarina Löfström om Stefan Johansson</image:title>
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  </url>
  <url>
    <loc>https://www.sitezones.net/artists-on-artists/hafstrom</loc>
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    <lastmod>2021-04-02</lastmod>
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  <url>
    <loc>https://www.sitezones.net/artists-on-artists/miriam-cahn</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2021-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1614780574467-62JN9SDX6BJL2MNR2Z8I/cahn_0702.12.jpg</image:loc>
      <image:title>ARTISTS ON ARTISTS - Martin Gustavsson on the Violent Freedom of Miriam Cahn</image:title>
      <image:caption>Miriam Cahn o.t., m. 2. 1983 chalk on paper 12 elements: 180 x 450 cm (overall). Photo: Olivier Roura courtesy Galerie Jocelyn Wolff</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1617283112229-LUO6EVRDKZAOY22ZUM55/_MG_7985.jpg</image:loc>
      <image:title>ARTISTS ON ARTISTS - Martin Gustavsson on the Violent Freedom of Miriam Cahn</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1617283152371-802RDMXMYYVTXND6TIRQ/_DSC7631.jpg</image:loc>
      <image:title>ARTISTS ON ARTISTS - Martin Gustavsson on the Violent Freedom of Miriam Cahn</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1617283174912-052HUR1VSR6LL7BL8S7C/_DSC7483.jpg</image:loc>
      <image:title>ARTISTS ON ARTISTS - Martin Gustavsson on the Violent Freedom of Miriam Cahn</image:title>
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    <image:image>
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      <image:title>ARTISTS ON ARTISTS - Martin Gustavsson on the Violent Freedom of Miriam Cahn</image:title>
      <image:caption>Miriam Cahn, installation shot of the exhibition notre sud, Galerie Jocely Wolff, Paris 2020. Photo: Chloé Philipp courtesy Galerie Jocelyn Wolff</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1614779833433-OPWDRMSIX0CIGYO2E4C1/MartinGustavsson_WrathofGod.jpg</image:loc>
      <image:title>ARTISTS ON ARTISTS - Martin Gustavsson on the Violent Freedom of Miriam Cahn</image:title>
      <image:caption>Martin Gustavsson, The Deluge, 2007, diptych 2x250x190cm, oil on linen. From the series Wrath of God</image:caption>
    </image:image>
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  <url>
    <loc>https://www.sitezones.net/artists-on-artists/tag/jan+h%C3%A5fstr%C3%B6m</loc>
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  <url>
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  <url>
    <loc>https://www.sitezones.net/artists-on-artists/tag/martin+gustavsson</loc>
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  <url>
    <loc>https://www.sitezones.net/artists-on-artists/tag/miriam+cahn</loc>
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  <url>
    <loc>https://www.sitezones.net/artists-on-artists/tag/joakim+forsgren</loc>
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  </url>
  <url>
    <loc>https://www.sitezones.net/artists-on-artists/tag/artists+on+artists</loc>
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  </url>
  <url>
    <loc>https://www.sitezones.net/interviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-14</lastmod>
  </url>
  <url>
    <loc>https://www.sitezones.net/interviews/hiner-saleem</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/4c00b4fd-34b1-412f-8c80-f6bca3822858/01+combined_cover_with_padding.jpeg</image:loc>
      <image:title>INTERVIEWS - The dead side is at peace; the living side is in trouble! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/5c8ec14c-2d69-4c2e-a51b-232691699ec8/05+foto.jpeg</image:loc>
      <image:title>INTERVIEWS - The dead side is at peace; the living side is in trouble! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/b5f76caf-bbd8-4990-8e0c-52047fff87a5/03+HinerSaleem_foto.jpeg</image:loc>
      <image:title>INTERVIEWS - The dead side is at peace; the living side is in trouble! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.sitezones.net/interviews/konkret-sken-krdans-och-dansens-arbete-idag</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/6911cd8d-2b13-449e-a9aa-e495b00904f6/IMG_6806.jpg</image:loc>
      <image:title>INTERVIEWS - Konkret sken, kördans och dansens arbete idag - Make it stand out</image:title>
      <image:caption>Vege-gel hjärta från föreställningen GROV, foto: Ellen Söderhult.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/11192dcf-5573-44f9-883e-8b4e7ce97830/IMG_7239.jpg</image:loc>
      <image:title>INTERVIEWS - Konkret sken, kördans och dansens arbete idag - Make it stand out</image:title>
      <image:caption>GROV, repetition på Elverket 2022, stillbild från film av filmfotograf Milja Rossi och Ellen Söderhult.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/970bd271-2a39-4d61-aeb3-b0c066c6b7dc/IMG_6844.jpg</image:loc>
      <image:title>INTERVIEWS - Konkret sken, kördans och dansens arbete idag - Make it stand out</image:title>
      <image:caption>GROV, repetitioner på Elverket 2022 med Jade Stenhuijs och Morgane Nicol. Foto: Ellen Söderhult.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/dd30fe7e-3c19-4564-990f-2d59e2bc0097/63666F2C-6835-40C9-B6AD-48186D321E13+%28kopia%29.jpeg</image:loc>
      <image:title>INTERVIEWS - Konkret sken, kördans och dansens arbete idag - Make it stand out</image:title>
      <image:caption>Spökdanser, MDT 2024, foto: Christoffer Lloyd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/bce815cb-2c99-4c20-a5ed-81e36cc517c0/IMG_4080.JPG</image:loc>
      <image:title>INTERVIEWS - Konkret sken, kördans och dansens arbete idag - Make it stand out</image:title>
      <image:caption>DUNKA DUNKA, Gula Villan i Järna 2023. På bilden: Nathalie Wiberg, Ellen Söderhult, Lisen Pousette, Iki Gonzalez Magnusson Foto: Felix Ahlberg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/8e129337-2a91-4a59-a612-5ba51d486fde/image4.jpeg</image:loc>
      <image:title>INTERVIEWS - Konkret sken, kördans och dansens arbete idag - Make it stand out</image:title>
      <image:caption>Shane et al (MDT 2017), foto: Tove Dreiman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/ae1f9c4b-afb0-4c5a-9811-0082e569635c/_MG_6405.jpg</image:loc>
      <image:title>INTERVIEWS - Konkret sken, kördans och dansens arbete idag - Make it stand out</image:title>
      <image:caption>Ellen Söderhult i Spökdanser (2024), bild av Christoffer Lloyd</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/69dcb8b1-2e98-4597-b4cd-b2eebaa4cb78/Ska%E2%95%A0%C3%AArmavbild+2024-10-16+kl.+23.55.53.png</image:loc>
      <image:title>INTERVIEWS - Konkret sken, kördans och dansens arbete idag - Make it stand out</image:title>
      <image:caption>Spökdanser, MDT 2024. Screenshot från videodokumentation av Karl-Oskar Gustafssson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/a5c822e1-0b29-485c-b133-b0cf46345e9e/Sk%C3%A4rmavbild+2024-11-10+kl.+17.43.02.png</image:loc>
      <image:title>INTERVIEWS - Konkret sken, kördans och dansens arbete idag - Make it stand out</image:title>
      <image:caption>GROV, gruppversion i Hallen, Farsta framförd av Ane Carlsen, Philippa Felländer Tsai, Arvid Hurd, Evelina Jakobsson Potenciano, Bea Macintosh, Morgane Nicol, Klara Nikolaj Sandberg Svejgaard, Ellen Söderhult, Nathalie Wiberg, Catarina Zarazua Mujo. Stillbild från videodokumentation av Karl-Oskar Gustafsson.</image:caption>
    </image:image>
    <image:image>
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      <image:title>INTERVIEWS - Konkret sken, kördans och dansens arbete idag - Make it stand out</image:title>
      <image:caption>Bild från How to do things with Romance.  På bilden: Sarah Ziebe, Stina Ehn, Michelle Persson, Emil Maria Ertl, Elise Sjöberg, Oda Brekke. Fotografi: Olle Ehn.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/interviews/disturbing-the-horizon-of-misery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/971eaf13-53b2-4e5a-8dcc-2dd30be2cf75/37CC5EAF-86B7-4B04-AD45-90ED65953636.jpeg</image:loc>
      <image:title>INTERVIEWS - Disturbing the Horizon of Misery - Make it stand out</image:title>
      <image:caption>Portrait of Nour Helou by Jamie Ellington</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1714073105041-59Y8PI9PIDBH8WTRG69I/AL+Marj+1.png</image:loc>
      <image:title>INTERVIEWS - Disturbing the Horizon of Misery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1714073104417-3QJOH8S20WVGZVDRBGFH/AL+Marj+2.png</image:loc>
      <image:title>INTERVIEWS - Disturbing the Horizon of Misery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1714073113455-YUQOPFWZH1S8QR17A4IM/AL+Marj+3.png</image:loc>
      <image:title>INTERVIEWS - Disturbing the Horizon of Misery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1714073109160-8R12W8P2XJ3YOJ2Q7U6Z/AL+Marj+4.png</image:loc>
      <image:title>INTERVIEWS - Disturbing the Horizon of Misery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1714073115827-8F4SSR4BBR8HGCPT3U6D/AL+Marj+5.png</image:loc>
      <image:title>INTERVIEWS - Disturbing the Horizon of Misery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/7508b2b7-29a4-4f8e-8aa7-6b1faaeb2ac0/Malmo%CC%88+Film+Festival+2022+Habibi+Collective+x+Shako+Mako+Kultur+.JPG</image:loc>
      <image:title>INTERVIEWS - Disturbing the Horizon of Misery - Make it stand out</image:title>
      <image:caption>Outdoor Film Festival in Malmö organized by Habibi Collective and Shako Mako Kultur in 2022. Photo by Ansar Bakir</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/interviews/jaukkuri</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631562324142-AAXDQVWDZ5OWN4BQC2DG/IMG_5789.jpg</image:loc>
      <image:title>INTERVIEWS - Maaretta Jaukkuri: With Curiosity as a Curatorial Guideline - Make it stand out</image:title>
      <image:caption>Maaretta Jaukkuri in the office of the Artists' Association in the 70s</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631788842332-JQ6ZG088NOYYHQA5JVW7/IMG_5796.jpg</image:loc>
      <image:title>INTERVIEWS - Maaretta Jaukkuri: With Curiosity as a Curatorial Guideline</image:title>
      <image:caption>Nina Roos, Kari Cavén, technicians, Maaretta Jaukkuri and Björn Ransve installing Ransve’s exhibition in the Jetty Barrack Gallery, Nordic Art Centre at Suomenlinna 1985.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631565110359-9U4JXES7Z3YCQKDDD92D/IMG_5816.jpg</image:loc>
      <image:title>INTERVIEWS - Maaretta Jaukkuri: With Curiosity as a Curatorial Guideline - Make it stand out</image:title>
      <image:caption>MJ: The congress of the IAA (International Association of Art) 1982 was arranged jointly with all the Nordic IAA sections. Simultaneously a congress of AICA (International Association of Art Crtics) took place in Helsinki as well. The participants of both the congresses visited the Nordic Arts Centre on Sveaborg. I am in the picture with Nils-Aslak Valkeapää, The person to the right is Jaakko Lintinen the then editor of Taide magazine. A couple of days after the congress I started working at the Nordic Arts Centre 1982.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631644089168-SLFPUHN69ZDOKU1MOL61/30071648526.jpg</image:loc>
      <image:title>INTERVIEWS - Maaretta Jaukkuri: With Curiosity as a Curatorial Guideline - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631641021305-OVUPK6ZFN38MO82OOL7M/IMG_5862.jpg</image:loc>
      <image:title>INTERVIEWS - Maaretta Jaukkuri: With Curiosity as a Curatorial Guideline - Make it stand out</image:title>
      <image:caption>MJ: Hulda Hákon's mini relief (10,8x11,2 cm) mentioning all the artists participating in the Borealis 3 exhibition at Malmö Konsthall 1987, as well as the curators Björn Springfeldt and myself.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631634574027-12ZUEEJ5EBU6TLBNQA4S/snvy1pmr0hm1j94ki20210823175523.jpg</image:loc>
      <image:title>INTERVIEWS - Maaretta Jaukkuri: With Curiosity as a Curatorial Guideline - Make it stand out</image:title>
      <image:caption>Workaday Finland exhibition at ICA in London in 1974. Jaukkuri is polishing the sculpture made by Arvi Siikamäki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631565333991-MXVEQKS080QA1HSRX0KP/IMG_5854.jpg</image:loc>
      <image:title>INTERVIEWS - Maaretta Jaukkuri: With Curiosity as a Curatorial Guideline - Make it stand out</image:title>
      <image:caption>MJ: Staffan Cullberg curated a touring Nordic exhibition titled Öga mot Öga in 1976/77. It was the first Nordic exhibition as far as I know with a curator in the present sense of the term. Staffan is here pictured while presenting the exhibition. It was arranged by Nordiska Konstförbundet (NKF).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631634753823-JIYKGIXMYGBXAS5426LU/fopahekkboddiokf.png</image:loc>
      <image:title>INTERVIEWS - Maaretta Jaukkuri: With Curiosity as a Curatorial Guideline - Make it stand out</image:title>
      <image:caption>From the opening of an exhibition of art from the Soviet Union 1974 in the Helsinki Kunsthalle. Kari Jylhä, the chairman of the Artists’ Association is on the way to the lectern and Finland’s president Urho Kekkonen sits in the front row. The exhibition was shown at the same time as Ars74 with the theme of realistic art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631636036795-XTKO54ZO5HC6CJ764GLB/IMG_5850.jpg</image:loc>
      <image:title>INTERVIEWS - Maaretta Jaukkuri: With Curiosity as a Curatorial Guideline - Make it stand out</image:title>
      <image:caption>Thr press conference of a British exhibition in Helsinki Kunsthalle 1975 arranged by the Artists' Association.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631636169265-ECPXBF1WD6WIHJYJFR69/IMG_5832.jpg</image:loc>
      <image:title>INTERVIEWS - Maaretta Jaukkuri: With Curiosity as a Curatorial Guideline - Make it stand out</image:title>
      <image:caption>Press conference of Markus Raetz' sculpture Hode in Eggum in the Lofoten islands 1992.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631636104046-7SARXTAJJ0UUSQ1ZSG5C/IMG_5824.jpg</image:loc>
      <image:title>INTERVIEWS - Maaretta Jaukkuri: With Curiosity as a Curatorial Guideline - Make it stand out</image:title>
      <image:caption>MJ: The official opening of Artscape Nordland program. Kain Tapper's (5th from the left) sculpture A New Discussion was the first to be inaugurated in the presence of King Harald and Queen Sonja 1992. Aaslaug Vaa, the chief of culture of Nordland county is standing next to the Queen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631637872488-Z8VWSY3U3SP4VYQ5ASY4/IMG_5808.jpg</image:loc>
      <image:title>INTERVIEWS - Maaretta Jaukkuri: With Curiosity as a Curatorial Guideline - Make it stand out</image:title>
      <image:caption>The Museum of Contemporary Art (since 1998 Kiasma) was officially opened in the Ateneum building 1991. The opening exhibition was Lothar Baumgarten's "Baltic window". Maaretta Jaukkuri and Lothar Baumgarten in the picture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1631637689423-I0IW29MJ4KLM76HTOF25/IMG_5812.jpg</image:loc>
      <image:title>INTERVIEWS - Maaretta Jaukkuri: With Curiosity as a Curatorial Guideline - Make it stand out</image:title>
      <image:caption>Tuula Arkio, Louise Bourgeois and Maaretta Jaukkuri in Bourgeois’ studio in New York in preparations for ARS95.</image:caption>
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      <image:title>INTERVIEWS - Maaretta Jaukkuri: With Curiosity as a Curatorial Guideline - Make it stand out</image:title>
      <image:caption>The curators of the worldwide exhibition arranged in the program Copenhagen Cultural Capital 1996.</image:caption>
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      <image:title>INTERVIEWS - Maaretta Jaukkuri: With Curiosity as a Curatorial Guideline - Make it stand out</image:title>
      <image:caption>Maaretta Jaukkuri with Ilya Kabakov working with his exhibition in the Museum of Contemporary Art 1994.</image:caption>
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      <image:caption>Prof. Zygmunt Bauman with his wife Janina Bauman visiting Kari Cavén's sculpture in Beiarn at the time he took part in a seminar about Artscape Nordland. He also took part in the curators' seminar arranged by Nifca 1997.</image:caption>
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      <image:caption>Maaretta Jaukkuri curated the Nordic Pavilion at the Venice Biennale of 1998 The artists participating are from the left Per-Inge Björlo, Rolf Hanson and Jukka Mäkelä.</image:caption>
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      <image:title>INTERVIEWS - När luckorna är lika intressanta som helheten: Göran Christenson - Make it stand out</image:title>
      <image:caption>Oscar Reutersvärd, perspective japonaise no 354 adac</image:caption>
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      <image:caption>Malmö Konstmuseum, en del av slottet Malmöhus, Malmö. Bild: Av Sinikka Halme</image:caption>
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      <image:title>INTERVIEWS - När luckorna är lika intressanta som helheten: Göran Christenson - Make it stand out</image:title>
      <image:caption>Runo Lagarmarsino, Europe is impossible to defend, 2005, fotografi, tuschteckning på arkitektfilm.</image:caption>
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      <image:title>INTERVIEWS - När luckorna är lika intressanta som helheten: Göran Christenson</image:title>
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      <image:caption>Per Wizén, Utan titel (serien Reworkings I-IV), 1998. Courtesy the Artist and Cecilia Hillström Gallery</image:caption>
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      <image:title>INTERVIEWS - När luckorna är lika intressanta som helheten: Göran Christenson - Make it stand out</image:title>
      <image:caption>Henrik Olesen, Social Organization and Frequency of Homosexual Behavior among some Species of Animals, 2000. Courtesy the artist and Galerie Buchholz, Berlin/Cologne/New York</image:caption>
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      <image:title>INTERVIEWS - När luckorna är lika intressanta som helheten: Göran Christenson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Inside the KUMU Museum, Tallinn.</image:caption>
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      <image:caption>Kadriorg Palace museum.</image:caption>
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  <url>
    <loc>https://www.sitezones.net/constructivism</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
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      <image:title>CONSTRUCTIVISM</image:title>
      <image:caption>Konstruktivismens arv</image:caption>
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  <url>
    <loc>https://www.sitezones.net/constructivism/vi-ett-slags-manifest</loc>
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      <image:title>CONSTRUCTIVISM - Dziga Vertov - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/81f11b59-aac5-4fe7-9b5b-69ddce77d7ac/Man_with_a_Movie_Camera_by_Dziga_Vertov.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Dziga Vertov - Make it stand out</image:title>
      <image:caption>Stillbild ur filmen Mannen med filmkameran (1929).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/constructivism/nikolaj-tarabukin</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2022-04-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/6a7ae10b-2417-4a2a-a389-cdc203d1b979/%25D0%25A2%25D0%25B0%25D1%2580%25D0%25B0%25D0%25B1%25D1%2583%25D0%25BA%25D0%25B8%25D0%25BD%252C_%25D0%259D%25D0%25B8%25D0%25BA%25D0%25BE%25D0%25BB%25D0%25B0%25D0%25B9_%25D0%259C%25D0%25B8%25D1%2585%25D0%25B0%25D0%25B9%25D0%25BB%25D0%25BE%25D0%25B2%25D0%25B8%25D1%2587.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Nikolaj Tarabukin - Make it stand out</image:title>
      <image:caption>Nikolaj Tarabukin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/00362879-1ba0-4648-9167-794ca8052518/GeBpyOM9z9leQ9ej.png</image:loc>
      <image:title>CONSTRUCTIVISM - Nikolaj Tarabukin - Make it stand out</image:title>
      <image:caption>Nikolaj Tarabukin, Från staffliet till maskinen, 1923</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/29ebc74c-3eea-4823-b286-e995a42ef6b8/CLfqDX0d9CKUl00v.png</image:loc>
      <image:title>CONSTRUCTIVISM - Nikolaj Tarabukin - Make it stand out</image:title>
      <image:caption>Liubov Popova, Målerisk arkitektonik, 1917</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/dde9d361-5642-4c90-816b-b64125a9d701/Metronome_%2528Rozanova%252C_1915%2529.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Nikolaj Tarabukin - Olga Rozanova, Metronom, 1915</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/139281fa-4fdd-4524-a0fa-aca83c89ca8f/Aleksey_Antropov_-_%25D0%259F%25D0%25BE%25D1%2580%25D1%2582%25D1%2580%25D0%25B5%25D1%2582_%25D0%2590.%25D0%259C.%25D0%2598%25D0%25B7%25D0%25BC%25D0%25B0%25D0%25B9%25D0%25BB%25D0%25BE%25D0%25B2%25D0%25BE%25D0%25B9_-_Google_Art_Project.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Nikolaj Tarabukin - Aleksej Antropov, Porträtt av A.M.Izmailova, 1759</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/5f0e57e5-c275-4c23-bdeb-51f77782af3a/K%25C4%2581rlis_Johansons_1921_Spatial_Constructions.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Nikolaj Tarabukin - Make it stand out</image:title>
      <image:caption>Kärlis Johansons (Karl Ioganson), Rumskonstruktioner, 1921</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/constructivism/den-sista-tavlan-r-mlad</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/d436b703-b53c-414c-be1b-6b23f21eab5a/Sklovsky.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Den sista tavlan är målad - Viktor Sjklovskij</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/3cff9b69-844b-448f-8469-93bebe0477b4/137450539_1413721634.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Den sista tavlan är målad - Boris Ejchenbaum</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/2f638d0c-cf4f-4b9d-90a8-ab884c974a04/rodchenko-linearism_costakis_500.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Den sista tavlan är målad - Aleksandr Rodtjenko, Linijsm, 1920</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/487065ca-7114-47ea-b789-e4f793a5f185/1QlAfKSzbKEVUblb.png</image:loc>
      <image:title>CONSTRUCTIVISM - Den sista tavlan är målad - Make it stand out</image:title>
      <image:caption>Kasimir Malevitj, Vitt på vitt, 1918</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/69df7a26-a95b-4edf-91d1-f86132f5b860/Alexandr-Rodchenko-Hanging-Construction-1921-plywood-PD-Russia-Photo-by-the-sculptor.png</image:loc>
      <image:title>CONSTRUCTIVISM - Den sista tavlan är målad - Aleksansdr Rodtjenko, Hängande konstruktion, 1921</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/31091c6b-1782-4a0b-bc4a-badba5e4dce3/image097.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Den sista tavlan är målad - Make it stand out</image:title>
      <image:caption>Michail Larionov, Tupp och kyckling, 1912</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/62d2bc88-e268-4f78-848d-5cbc81a60c04/Hito%2C+Alexander%2C+October+%26+Yves+Peintures.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Den sista tavlan är målad - Make it stand out</image:title>
      <image:caption>Aleksandr Rodtjenko, Ren färg: Röd, blå, gul, 1921</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/df6c0c34-9362-4efb-bd66-322a06ce8d73/Braque_fruitdish_glass.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Den sista tavlan är målad - Georges Braque, Fruktskål och glas, papier collé, 1912</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/09656615-4c63-42ee-a855-75c34d58dae8/ladda+ned+%281%29.png</image:loc>
      <image:title>CONSTRUCTIVISM - Den sista tavlan är målad - Vladimir Tatlin, Kontrarelief i hörn, 1914</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/8c2f8bd6-9567-485f-834b-d4dd3b9e449e/1200px-Wassily_Kandinsky_Composition_VIII.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Den sista tavlan är målad - Make it stand out</image:title>
      <image:caption>Vasilij Kandinsky, Komposition VII, 1923</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/constructivism/stepanova</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/07095d17-54ba-4a7f-b7a6-ae298827b747/Stepanova+1.jpeg</image:loc>
      <image:title>CONSTRUCTIVISM - Varvara Stepanova - Make it stand out</image:title>
      <image:caption>RSFSR Framtiden är vårt enda mål, originalplakat 1919</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/7c0a0b2e-d4f7-480c-8de4-82cdcb4dfa38/Stepanova+2.jpeg</image:loc>
      <image:title>CONSTRUCTIVISM - Varvara Stepanova - Make it stand out</image:title>
      <image:caption>Omslag för tidskriften Teknik och liv, nr. 5 med bild av henne själv och hennes mönster. Foto och design av Aleksandr Rodtjenko och Aleksej Gan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/2588b63a-93fb-420b-a11d-7a93686bf2f5/Stepanova+3.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Varvara Stepanova</image:title>
      <image:caption>Modeller för sportdräkter, publicerad i LEF, nr. 2, 1923.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/constructivism/seger-ver-solen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1634555565797-N3T3ZAZOJNSNIK9GA9VG/Seger+%C3%B6ver+solen+bild+1.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Seger över solen - Make it stand out</image:title>
      <image:caption>Den nya planeten (Novaja planeta) av Konstantin Juun, 1921, Tretjakovgalleriet Moskva.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1634555646276-67TAGXFGMJ8PF435CT7L/Seger+%C3%B6ver+solen+Bild+2.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Seger över solen</image:title>
      <image:caption>Seger över solen. Opera av A. Krutjonykh, musik av M. Matjusjin. Omslaget till första utgåvan från 1913</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1634555957348-8ATS1IEMQHCHC3SCZ93L/Seger+%C3%B6ver+solen+Bild+3.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Seger över solen - Make it stand out</image:title>
      <image:caption>Foto från föreställningen Seger över solen på Stas Namins teater i St. Petersburg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1634556328433-T8F443XUCDUAWWZRN2TT/Seger+%C3%B6ver+solen+bild+4.jpg</image:loc>
      <image:title>CONSTRUCTIVISM - Seger över solen</image:title>
      <image:caption>Inspiration (Vdokhnovenie) Illustration av Jelena Guro för Sadok sudej II, 1913.</image:caption>
    </image:image>
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      <image:caption>Walker Evans, Frank Tengle, Bud Fields, and Floyd Burroughs, cotton share-croppers, Hale County, Alabama, 1936</image:caption>
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      <image:caption>Thomas Demand, Kabine, 2002 - SITE Art Project issue 3-4, 2002</image:caption>
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      <image:title>FROM THE VAULT - Photography and Time - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Thomas Demand, Room (Zimmer), 1996, courtesy MoMA</image:caption>
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      <image:title>FROM THE VAULT - Photography and Time - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Reinacted image of the politician Uwe Barschel in the tub from the film “Der Fall Barschel” with actor Matthias Matschke.</image:caption>
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      <image:caption>Thomas Demand, Podium, 2000</image:caption>
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      <image:caption>Thomas Demand, Poll, 2000</image:caption>
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      <image:caption>Thomas Demand, Treppenhaus (Stairwell), 1995</image:caption>
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      <image:caption>Thomas Demand Raum (Room), 1995</image:caption>
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      <image:caption>Thomas Demand, Constellation, 2000</image:caption>
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      <image:caption>Thomas Demand, Punched Panel, 1996</image:caption>
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      <image:caption>Pascale Convert, Grand Livre Fermé nr 5, 2022</image:caption>
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      <image:caption>James Turrell, Aten Reign, 2013 installation view, Guggenheim Museum New York</image:caption>
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      <image:caption>Fra Angelico, San Marco Altarpiece, 1438-1443</image:caption>
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      <image:caption>Kazimir Malevich, Suprematism No. 38, 1916</image:caption>
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      <image:caption>Andrea Pozzo's painted ceiling in the Church of St. Ignazio, 1685–1694</image:caption>
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      <image:caption>Ethnographic photographs and a detail from Cranach’s Judith and Holofernes. Picture-pages illustrating the article by Ralph von Königswald “Têtes et crânes”, Documents II/6, 1930</image:caption>
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      <image:caption>Sergei Eisenstein, Vertical Montage, 1940</image:caption>
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      <image:caption>Eli Lotar, Aux abattoirs de la Villette. Article “Abattoir,” in Documents, no. 6, 1929</image:caption>
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      <image:title>FROM THE VAULT - A Form That Thinks: Knowledge Through Montage in Georges Didi-Huberman - Make it stand out</image:title>
      <image:caption>Eli Lotar, Aux abattoirs de la Villette. Article “Abattoir,” in Documents, no. 6, 1929</image:caption>
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      <image:caption>Aby Warburg: Bilderatlas Mnemosyne – the Original, Haus der Kulturen der Welt, Berlin, 2020, installation view</image:caption>
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    <lastmod>2023-08-09</lastmod>
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      <image:title>FROM THE VAULT - Image, Time, Presence - Make it stand out</image:title>
      <image:caption>Domenico Fetti, The Veil of Veronica, 1618 or 1622</image:caption>
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    <image:image>
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      <image:title>FROM THE VAULT - Image, Time, Presence - Make it stand out</image:title>
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    </image:image>
    <image:image>
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      <image:caption>Johannes Vermeer, The Lacemaker (detail), c. 1669-1671</image:caption>
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    <image:image>
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      <image:title>FROM THE VAULT - Image, Time, Presence - Make it stand out</image:title>
      <image:caption>Fra Angelico, Sacred Conversation, 1443</image:caption>
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    <lastmod>2022-09-18</lastmod>
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      <image:title>FROM THE VAULT - Martin Jacobson</image:title>
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      <image:title>FROM THE VAULT - Martin Jacobson</image:title>
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      <image:title>FROM THE VAULT - Martin Jacobson</image:title>
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  <url>
    <loc>https://www.sitezones.net/from-the-vault/french-philosophy-since-1945</loc>
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    <lastmod>2022-08-15</lastmod>
    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.sitezones.net/from-the-vault/schuppli</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1655054834896-B6BY2NQZV9U02UV030TE/unsplash-image-B_ABoCJ4-pk.jpg</image:loc>
      <image:title>FROM THE VAULT - The Case [study] of the Missing 18-½ Minutes - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1655052220450-IK0KDI4AM4HR2NXAH8R4/1971-Sony-TC-800B-4.jpg</image:loc>
      <image:title>FROM THE VAULT - The Case [study] of the Missing 18-½ Minutes</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1655052225314-KG8T0T7W41U96P2F2NYN/s-l500.jpg</image:loc>
      <image:title>FROM THE VAULT - The Case [study] of the Missing 18-½ Minutes</image:title>
    </image:image>
    <image:image>
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      <image:title>FROM THE VAULT - The Case [study] of the Missing 18-½ Minutes - Make it stand out</image:title>
      <image:caption>Reporters were called to the White House to watch her perform a reenactment, and the photos of her performing a tremendous stretch, were deemed to be implausible.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/ed5876c4-c7ea-458e-99ed-1a32d9bae873/tape-342.jpg</image:loc>
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      <image:caption>Susan Schuppli, Tape 342. The 18-½ minute audio copied from Watergate Tape 342 (courtesy of NARA) and converted into a video file to emphasise the highly energetic nature of the “silent” tape-gap. Presented on a 10″ JVC monitor with a digital media player. Listen to the an excerpt of the 18-1/2 minute erasure below.</image:caption>
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    <loc>https://www.sitezones.net/from-the-vault/kaderattia</loc>
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    <lastmod>2022-07-31</lastmod>
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      <image:title>FROM THE VAULT - Kader Attia - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/cf85c228-d978-44c6-a8ff-24f7d5440ff0/rxgtcj5HPQfRRx9H.png</image:loc>
      <image:title>FROM THE VAULT - Kader Attia - Make it stand out</image:title>
      <image:caption>Djenne, Mali</image:caption>
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    <image:image>
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      <image:title>FROM THE VAULT - Kader Attia - Make it stand out</image:title>
      <image:caption>Chapelle Notre-Dame-du-Haut de Ronchamp, France</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/6354dccb-2b09-4484-9498-097735fab468/CdzHuR5zcaK0XKwq.png</image:loc>
      <image:title>FROM THE VAULT - Kader Attia - Make it stand out</image:title>
      <image:caption>Vernacular M’zab Architectur, city of Ghardaia, Algeria.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1654542117352-ICH34B2QYH3NHFBXRXNR/0hy8G9RHRGzPHz4Y.png</image:loc>
      <image:title>FROM THE VAULT - Kader Attia</image:title>
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      <image:title>FROM THE VAULT - Kader Attia</image:title>
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  </url>
  <url>
    <loc>https://www.sitezones.net/from-the-vault/stalking-tafuritafuri-anno-2009</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/52c4de12-caf0-4084-9727-430a741d63c7/MT.jpg</image:loc>
      <image:title>FROM THE VAULT - (S)Talking Tafuri - Make it stand out</image:title>
      <image:caption>Manfredo Tafuri, photographer unknown</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/42aabb30-6237-4c1d-826d-2464c5b1f057/3.jpg</image:loc>
      <image:title>FROM THE VAULT - (S)Talking Tafuri</image:title>
      <image:caption>Aldo Rossi, L’architecture assassinée, 1975, hand-painted etching for the cover of the American translation of Progetto e utopia (1976)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/8abf8641-47fb-461f-90be-766fcb5e051f/pCgqf6md8gp67VKg.png</image:loc>
      <image:title>FROM THE VAULT - (S)Talking Tafuri - Make it stand out</image:title>
      <image:caption>Marxism in Venice. Picture postcard, unknown artist, 1983</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1650977181103-SCDUOY038S05M1RHVI5P/Fz0LLGq0fn3iftRY.png</image:loc>
      <image:title>FROM THE VAULT - (S)Talking Tafuri</image:title>
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      <image:title>FROM THE VAULT - (S)Talking Tafuri</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/cbf6943f-f8b1-4f6e-82ad-de0c473fcd2f/kzoes0PdhtNtf2Yg.png</image:loc>
      <image:title>FROM THE VAULT - (S)Talking Tafuri - Make it stand out</image:title>
      <image:caption>Italian newspapers on the death of Tafuri</image:caption>
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  </url>
  <url>
    <loc>https://www.sitezones.net/from-the-vault/reinventing-unpredictability</loc>
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    <priority>0.5</priority>
    <lastmod>2022-07-31</lastmod>
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      <image:caption>Yona Friedman in his home in Paris. © Jean Leonard</image:caption>
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      <image:title>FROM THE VAULT - Reinventing Unpredictability</image:title>
      <image:caption>Yona Friedman with his dog Balkis in his home 1998. Photo: Marianne Homiridis.</image:caption>
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      <image:title>FROM THE VAULT - Reinventing Unpredictability - Make it stand out</image:title>
      <image:caption>Yona Friedman, 1974. Photograph by Paul Almásy. Courtesy of Marianne Friedman-Polonsky</image:caption>
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      <image:title>FROM THE VAULT - Reinventing Unpredictability</image:title>
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      <image:title>FROM THE VAULT - Reinventing Unpredictability</image:title>
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      <image:title>FROM THE VAULT - Reinventing Unpredictability</image:title>
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    <image:image>
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      <image:title>FROM THE VAULT - Reinventing Unpredictability</image:title>
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      <image:title>FROM THE VAULT - Reinventing Unpredictability</image:title>
    </image:image>
    <image:image>
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      <image:title>FROM THE VAULT - Reinventing Unpredictability</image:title>
    </image:image>
    <image:image>
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      <image:title>FROM THE VAULT - Reinventing Unpredictability - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/4409faf4-c2d3-4414-956d-04b37416594c/https___blogsimagesforbescom_jonat.jpg</image:loc>
      <image:title>FROM THE VAULT - Reinventing Unpredictability - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/0bb72e3a-6c41-43c5-a898-6055b5f48251/museum+of+simple+technology+dhaka+2018.jpg</image:loc>
      <image:title>FROM THE VAULT - Reinventing Unpredictability - Make it stand out</image:title>
      <image:caption>Yona Friedman, Museum of Simple Technology, Dhaka 2018.</image:caption>
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      <image:title>FROM THE VAULT - Reinventing Unpredictability</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1647786969728-CHAXZNS5309BI6TSU1XV/BMIgLXfDUdv8Rslw.png</image:loc>
      <image:title>FROM THE VAULT - Reinventing Unpredictability</image:title>
    </image:image>
    <image:image>
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      <image:title>FROM THE VAULT - Reinventing Unpredictability</image:title>
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  </url>
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    <loc>https://www.sitezones.net/from-the-vault/self-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-09</lastmod>
    <image:image>
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      <image:title>FROM THE VAULT - Self-Interview, 27.11.2000</image:title>
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      <image:title>FROM THE VAULT - Self-Interview, 27.11.2000</image:title>
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    <image:image>
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      <image:title>FROM THE VAULT - Self-Interview, 27.11.2000</image:title>
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      <image:title>FROM THE VAULT - Self-Interview, 27.11.2000</image:title>
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      <image:title>FROM THE VAULT - Self-Interview, 27.11.2000</image:title>
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      <image:title>FROM THE VAULT - Self-Interview, 27.11.2000</image:title>
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      <image:title>FROM THE VAULT - Self-Interview, 27.11.2000 - Make it stand out</image:title>
      <image:caption>EXTENSIONS#1-Laboratorium. Image: ©Stefan Pente</image:caption>
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    <image:image>
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      <image:title>FROM THE VAULT - Self-Interview, 27.11.2000 - Make it stand out</image:title>
      <image:caption>EXTENSIONS#1-Laboratorium. Image: ©Stefan Pente</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/3f3ffa93-1e6d-4e70-91ec-3909007e8e17/002-EXTENSIONS%231-Laboratorium%C2%A9Stefan+Pente.jpg</image:loc>
      <image:title>FROM THE VAULT - Self-Interview, 27.11.2000 - Make it stand out</image:title>
      <image:caption>EXTENSIONS#1-Laboratorium. Image: ©Stefan Pente</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/49f55867-6a0f-4b91-ae02-61b22de659cd/140-EXTENSIONS%231-Berlin%C2%A9Stefan+Pente.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/85c33e58-ca92-4922-80d6-55fcf92373ef/Gaza-Biennale_Berlin_Flutgraben_2616_JCLARK.jpg</image:loc>
      <image:title>EN - Bäst 2025: konst - Make it stand out</image:title>
      <image:caption>Detalj från Hala Eid Alnaji Displaced från Gaza Biennalen, Berlin</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/eng/den-18e-istanbulbiennalen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/3a4ae79a-9861-4594-8f42-5c19fd43f640/20250918_145814.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen - Make it stand out</image:title>
      <image:caption>Katt i museishoppen, Arter, Istanbul 2025. Foto: Power Ekroth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/0f548733-03a0-4e2b-b966-701aee0bb15e/18._%C4%B0stanbul_Bienali_K%C3%BCrat%C3%B6r%C3%BC_Christine_Tohm%C3%A9___18th_Istanbul_Biennial_Curator_Christine_Tohm%C3%A9_Tanya_Traboulsi_2024_2.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen - Make it stand out</image:title>
      <image:caption>Christine Thomé. Foto: Tanya Traboulsi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/5436045f-c682-47b2-ad5f-ee4ff3a6f951/18.IB_Nolan_Oswald_Dennis_GalataRumOkulu_SahirUgurEren_20250915_10.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen - Make it stand out</image:title>
      <image:caption>Nolan Oswald Dennis, installationsvy från Galata Grekiska skola, 2025. Foto: Sahir Ugur Eren</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759596200737-KS54C8M8A37EA6ZMFGHH/18.IB_GalataRumOkulu_SahirUgurEren_20250915_73.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759596181668-WVJ96OAMGJXFY0WB81YK/18.IB_Simone_Fattal_GalataRumOkulu_SahirUgurEren_20250915_1.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/5d7933fb-401c-498a-b2d2-be30c84153c9/18.IB_Kongkee_GalataRumOkulu_SahirUgurEren_20250915_3.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen - Make it stand out</image:title>
      <image:caption>Installationsvy, Kongkee, Dragon’s Delusion, 2017 på Galata Grekiska skolan, 2025. Foto: Sahir Ugur Eren</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759598183066-NEJQ18LYWVEIUIIBR66J/18.IB_Akram_Zaatari_GalataRumOkulu_SahirUgurEren_20250915_2.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759598181745-UMW081BVTB9F10FWVK9G/18.IB_Akram_Zaatari_GalataRumOkulu_SahirUgurEren_20250915_7.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/72628143-5cfd-439c-bfea-53cbf587be8b/Zihni_Han.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen - Make it stand out</image:title>
      <image:caption>Zihni Han</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/44f616c6-4dd1-4006-a414-82f24e782b5c/18.IB_Jasleen_Kaur_ZihniHan_SahirUgurEren_20250915_2.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen - Make it stand out</image:title>
      <image:caption>Installationsvy, Jasleen Kaur, My Body is a Temple of Gloom, 2021 på Zihni Han 2025. Foto: Sahir Ugur Eren</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759598587507-XK0ZFAOG8JUBJLZ5KGSA/18.IB_Rafik_Greiss_ZihniHan_SahirUgurEren_20250915_4.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759598587185-D2J2CU4PES525W2VUP9N/18.IB_Rafik_Greiss_ZihniHan_SahirUgurEren_20250915_5.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759600309940-WNWVZT0QZXQSBYZSBW9O/18.IB_Selma_Selman_ZihniHan_SahirUgurEren_20250915_3.jpeg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759600302160-PP83GCQHYJ6HZY3CISOS/18IstanbulBienal_SelmaSelman_ZihniHan_MeteKaanOzdilek_20250928_2.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759601055985-3DGJP8CD1VLI1FCBRF97/18.IB_Marwan_Rechmaoui_ZihniHan_SahirUgurEren_20250915_1.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759601055771-JQPNE9MRU8JLYFJ5G9MT/18.IB_Marwan_Rechmaoui_ZihniHan_SahirUgurEren_20250915_4.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759601062443-LEQUQUIIRB6O2YXHLBF3/18.IB_Marwan_Rechmaoui_ZihniHan_SahirUgurEren_20250915_8.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759601063027-8PML9CMUH6NOFSEWLG2R/18.IB_Marwan_Rechmaoui_ZihniHan_SahirUgurEren_20250915_18.jpg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/3725f1a5-6591-46b4-ada6-3607f10c8418/18.IB_Doruntina_Kastrati_KulahFabrikasi_SahirUgurEren_20250915_3.jpeg</image:loc>
      <image:title>EN - Den 18e Istanbulbiennalen - Make it stand out</image:title>
      <image:caption>Dorunta Kastrati, A Horn That Swallows Songs (2025) installerad på Cone Factory 2025. Foto: Sahir Ugur Eren</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/eng/b5cdvw0vyelh0ff6lovxfxzp7m1pzy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/f5cb17ff-cda0-4efd-acd5-51e2fea47dc3/Bild+1.jpg</image:loc>
      <image:title>EN - Bergen Assembly 2025 - Make it stand out</image:title>
      <image:caption>Laurie Grundt, Police Methods, 1972, installationsvy av Gruppe 66 på Bergen Kunsthall som en del av across, with, nearby, Bergen Assembly 2025. Med tillstånd av KODE. Foto: Thor Brødreskif</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/058337b2-279c-472c-b5ab-ae241ccd6452/Bild+2.jpg</image:loc>
      <image:title>EN - Bergen Assembly 2025 - Make it stand out</image:title>
      <image:caption>Läsning av Blocknotest med Christine Otten ombord på litteraturbåten Epos som en del av across, with, nearby, Bergen Assembly 2025. Foto: Akrakadabra Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/d0d552a5-6dfb-419a-bdd8-9a71ec59ac0b/Bild+5.jpg</image:loc>
      <image:title>EN - Bergen Assembly 2025 - Make it stand out</image:title>
      <image:caption>Communist Museum of Palestine دال-صفر (d-0), huserat av P1 — Mobile Studio, installationsvy på Bergen Katedralskole ”Katten” som en del av across, with, nearby, Bergen Assembly 2025. Foto: Thor Brødreskift</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/040c2452-5e1c-4be2-b882-6425a3260521/Bild+4.jpg</image:loc>
      <image:title>EN - Bergen Assembly 2025 - Make it stand out</image:title>
      <image:caption>Läsning på Stranges Stiftelse som en del av Organizing for Social Change, som del av across, with, nearby, Bergen Assembly 2025. Foto: Abrakadabra Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/64102574-a4e2-4b75-afa5-56278a92f789/Bild+3.jpg</image:loc>
      <image:title>EN - Bergen Assembly 2025 - Make it stand out</image:title>
      <image:caption>Samtal med Munir Fasheh, Ayreen Anastas, Rene Gabri och Tenthaus Art Collective på Bergen Katedralskole ”Katten”, programmerat av Communist Museum of Palestine دال-صفر (d-0) som en del av across, with, nearby, Bergen Assembly 2025. Foto: Akrakadabra Studio</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/eng/anteckningar-frn-istanbul-angelgen-curatoriell-praktik</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759332844278-VJ98G2UWC9YAX58PXVCR/Arter__Fotograf-Cemal_Emden___9__Kopie-c6fd6a039a35058e.jpg</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759332843886-78377D4CWKXBIZRYLP1P/istanbul-modern-fotograf-cemal-emden-50878-5656592.jpg</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/496e9774-2380-4cf4-9c1f-2feff2559a29/18IB_BasinToplantisi_EskiFransizYetimhanesi_MuhennaKahveci_20250916_132.jpg</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik - Make it stand out</image:title>
      <image:caption>Christine Thomé på presskonferansen inför öppningen av den 18e Istanbul Biennialen. Foto: Muhena Kahveci</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759334865370-TKH3OIZF145KN5TYQINS/Elhamra_Han2.jpg</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759334870991-94N50FO9UQVDS6QDXUU3/Frans%C4%B1z_Yetimhanesi3.jpg</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759334873479-LXH0NSFQ67XMJV5G2QQ3/Galata_Rum.jpg</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759334883006-PDZQ6Z3DFTBMP7A3DXHX/Galeri_77.jpg</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759334882933-9MFUGPSTGHMF3EX2DEUY/Meclisi_Mebusan_351.jpg</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759334889949-0J0B20ZL887DVYGD8T06/Zihni_Han.jpg</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/4dbbc8d5-07ef-428d-b089-a166abc2b443/18.IB_Marwan_Rechmaoui_ZihniHan_SahirUgurEren_20250915_4.jpg</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik - Make it stand out</image:title>
      <image:caption>Marwan Rechmaoui, Chasing the Sun, 2023-25. Foto: Sahir Ugur Eren</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759335124334-1GUNUVKM6XPW5LLHKLD4/20250918_130724.jpg</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759335125746-6VXB67LVL7ILKW8GXEIP/20250918_130716%5B1%5D.JPG</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1759335124345-DW5H1F5P5OILTEZX8OJ5/20250918_130721.jpg</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/5e3351f1-989e-4409-8ea4-667ced2198aa/C24Zh9kTAdQ0C0oF.png</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik - Make it stand out</image:title>
      <image:caption>Mike Bode i utställningen Dark World, med den enda kvarvarande filmaffischen med originaltiteln av filmen Dark World.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/8b3f0fd5-98e4-4ea4-888f-04917003524f/lSI650VWCwUPfkJw.png</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik - Make it stand out</image:title>
      <image:caption>Cevdet Erek i utställningen Us and Them, Nev Galleri, Istanbul</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/a8863d3c-6513-4771-b5e5-54c692e9d2c0/Rh1xZWdJSz5PIfku.png</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik - Make it stand out</image:title>
      <image:caption>Installation “Giant Pompom” som ett instrument för samtal om svåra saker i utställningen We’ve Been at the Tapestry Studio since the 90s, Salt Beyoğlu</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/40a0d62c-52a2-49c0-9925-558397e837ba/20250918_132938.jpg</image:loc>
      <image:title>EN - Anteckningar från Istanbul: angelägen curatoriell praktik - Make it stand out</image:title>
      <image:caption>Utsikt från Istanbul Moderns tak (arkitekt Renzo Piano). Fotografi: Power Ekroth</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sitezones.net/eng/imaginary-archipelago</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-03</lastmod>
  </url>
  <url>
    <loc>https://www.sitezones.net/eng/sketches-and-dreams-of-a-gdr-that-was-and-could-have-been</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/5ec526f2-bcfe-48b0-a615-dcdd369d46a6/6-dieter-bankert-berlin-stadtzentrum-1976-irs-erkner-web.jpg</image:loc>
      <image:title>EN - Sketches and dreams of a GDR that was and could have been - Make it stand out</image:title>
      <image:caption>Dieter Bankert. Berlin, city center, birds-eye view, 1976</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/757d3311-2e3e-4e29-a4fa-1f27c16a4598/10-lutz-brandt-balkontraeumereien-1983-vg-bild-kunst-bonn-2025-web.jpg</image:loc>
      <image:title>EN - Sketches and dreams of a GDR that was and could have been - Make it stand out</image:title>
      <image:caption>Lutz Brandt, Balkonträumereien 2, 1983</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/8b978d01-5aa0-4149-87ec-83aa40362b2d/2-leopold-wiel-dresden-kulturpalast-1960-stiftung-saechsischer-architekten-web.jpg</image:loc>
      <image:title>EN - Sketches and dreams of a GDR that was and could have been - Make it stand out</image:title>
      <image:caption>Leopold Wiel, Wiel design collective with Klaus Wever, graphics by Angela Waltz. Dresden, Kulturpalast competition, 1960</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/bee3b227-2ab1-40ef-bc4b-c06529a1552e/5-peter-und-ute-baumbach-gera-stadtzentrum-1967-68-irs-erkner-web.png</image:loc>
      <image:title>EN - Sketches and dreams of a GDR that was and could have been - Make it stand out</image:title>
      <image:caption>Peter &amp; Ute Baumbach. Gera, sketch for a new city center , 1967/68</image:caption>
    </image:image>
  </url>
  <url>
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      <image:title>EN - I sökandet efter resonans i arkitekturen: Observationer i Kreuzkölln - Make it stand out</image:title>
      <image:caption>Admiralbrücke kvällstid</image:caption>
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      <image:title>EN - I sökandet efter resonans i arkitekturen: Observationer i Kreuzkölln - Make it stand out</image:title>
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    <image:image>
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      <image:title>EN - I sökandet efter resonans i arkitekturen: Observationer i Kreuzkölln - Make it stand out</image:title>
      <image:caption>Vårkväll på Admiralbrücke 2025</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/22ca182f-9ebd-47d6-af30-294ae43f9c63/Bild3.jpg</image:loc>
      <image:title>EN - I sökandet efter resonans i arkitekturen: Observationer i Kreuzkölln - Make it stand out</image:title>
      <image:caption>Admiralbrückes krön – vy mot söder</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/561d2996-a316-4148-a535-7d3dbc15b5df/Bild4.jpg</image:loc>
      <image:title>EN - I sökandet efter resonans i arkitekturen: Observationer i Kreuzkölln - Make it stand out</image:title>
      <image:caption>Vy mot väster</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/df6d41ba-4421-4f79-bccc-a6e454faa2ad/Bild5.jpg</image:loc>
      <image:title>EN - I sökandet efter resonans i arkitekturen: Observationer i Kreuzkölln - Make it stand out</image:title>
      <image:caption>Det postmoderna hörnhuset av Hinrich Baller och Inken Baller norr om Admiralbrücke</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/18f5fb0d-052e-40dc-b583-717201f2fefd/Bild6.jpg</image:loc>
      <image:title>EN - I sökandet efter resonans i arkitekturen: Observationer i Kreuzkölln - Make it stand out</image:title>
      <image:caption>Resonansskapande arkitektur</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/306936db-003d-4863-a4bb-c184164b270f/Bild7.jpg</image:loc>
      <image:title>EN - I sökandet efter resonans i arkitekturen: Observationer i Kreuzkölln - Make it stand out</image:title>
      <image:caption>Gatuteater på Admiralbrücke, 2025</image:caption>
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      <image:title>EN - I sökandet efter resonans i arkitekturen: Observationer i Kreuzkölln - Make it stand out</image:title>
      <image:caption>Atmosfären på Admiralbrücke kan beskrivas som folklig, varm, social, stämningsfull och förväntansfull</image:caption>
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    <image:image>
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      <image:title>EN - I sökandet efter resonans i arkitekturen: Observationer i Kreuzkölln - Make it stand out</image:title>
      <image:caption>Historiska lyktor på Admiralbrücke lyser upp platsen på natten och förstärker dess atmosfär och historiska närvaro</image:caption>
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      <image:title>EN - I sökandet efter resonans i arkitekturen: Observationer i Kreuzkölln - Make it stand out</image:title>
      <image:caption>Arkitektur som destination</image:caption>
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      <image:title>EN - I sökandet efter resonans i arkitekturen: Observationer i Kreuzkölln - Make it stand out</image:title>
      <image:caption>Observation av resonans 2025</image:caption>
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    <lastmod>2025-09-12</lastmod>
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      <image:title>EN - Passing the fugitive on</image:title>
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      <image:title>EN - Passing the fugitive on</image:title>
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      <image:title>EN - Passing the fugitive on</image:title>
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      <image:title>EN - Passing the fugitive on</image:title>
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    <image:image>
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      <image:title>EN - Passing the fugitive on - Make it stand out</image:title>
      <image:caption>Simon Wachsmuth, From Heaven High 2022, filmstill</image:caption>
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    <image:image>
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      <image:title>EN - Passing the fugitive on - Make it stand out</image:title>
      <image:caption>Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Anawana Haloba, Sammlung / Collection Hartwig Art Foundation; image: Marvin Systermans</image:caption>
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      <image:title>EN - Passing the fugitive on - Make it stand out</image:title>
      <image:caption>Margherita Moscardini, The Stairway, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Margherita Moscardini and Gian Marco Casini, Livorno; image: Marvin Systermans</image:caption>
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      <image:title>EN - Passing the fugitive on - Make it stand out</image:title>
      <image:caption>Sarnath Banerjee, Critical Imagination Deficit, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sarnath Banerjee; image: Diana Pfammatter, Eike Walkenhorst</image:caption>
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      <image:caption>Panties for Peace, sticker: Panties for Peace Emblems, 2010/25; videos: The Party they don’t want you to know! LPP Pantidates | Burma election 2010, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Panties for Peace; image: Marvin Systermans</image:caption>
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    <image:image>
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      <image:caption>Htein Lin, The Fly, 2008, video still. Courtesy: © Htein Lin</image:caption>
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    <loc>https://www.sitezones.net/siteshop/p/stainless-steel-water-bottle-1</loc>
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    <lastmod>2023-02-06</lastmod>
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    <lastmod>2023-03-14</lastmod>
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    <lastmod>2022-09-26</lastmod>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
      <image:caption>"But there were four seasons and the hours run their cycle between midday and midnight." Alpine marble (crushed, filtered, washed, raked), 2016. Photo: Chiara Bugatti</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/77957bb7-d7eb-477e-831a-72f3412fa46c/Ume%C3%A53+VK.jpg</image:loc>
      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
      <image:caption>"But there were four seasons and the hours run their cycle between midday and midnight." Alpine marble (crushed, filtered, washed, raked), 2016. Photo: Hanna Eriksson, VK</image:caption>
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      <image:caption>"Rehearsing Brutality, until it's totally destroyed", from rehearsals at Schauwerk Sindefingen. Diatomaceous earth, ballet dancer. Performer: Matteo Miccini, Choreographer: Alessandro Giaquinto (Das Stuttgarter Ballett). Photo: Tine Bek. 2020</image:caption>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
      <image:caption>Image 1: Piazza della Vittoria, 1933. Courtesy of the Archive of Brescia municipality Image 2: Aerial view on the area where Piazza della Vittoria was built. 1929. Courtesy of the Archive of Brescia municipality</image:caption>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
      <image:caption>Stills from video Brute Force, Il Bigio (Foolish), 2021</image:caption>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/e190c6ad-f311-421c-bdd7-7ce2d4104976/piazza+vittoria1.jpg</image:loc>
      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
      <image:caption>Image 1: Piazza della Vittoria, 1933. Courtesy of the Archive of Brescia municipality Image 2: Aerial view on the area where Piazza della Vittoria was built. 1929. Courtesy of the Archive of Brescia municipality</image:caption>
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    <image:image>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
      <image:caption>Stills from video Brute Force, Il Bigio (Foolish), 2021</image:caption>
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    <image:image>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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    <image:image>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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    <image:image>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/017f1dff-c721-4e16-a86a-12669050f586/Carrara7.jpg</image:loc>
      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
      <image:caption>Satellite pictures on the marble quarries in Carrara (Italy), Google Earth, 2021. Views from the marble quarries in Carrara (Italy). 2019. Photo: Chiara Bugatti.</image:caption>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
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      <image:title>ART PROJECTS - CHIARA BUGATTI: BRUTE FORCE, IL BIGIO (FOOLISH)</image:title>
      <image:caption>A Place of Fantastic Flora / Brute Force (study). 2020. Acrylic, agar-agar, spirulina blue-green algae, water, posthorn freshwater snails. Excerpt from photographic series</image:caption>
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  <url>
    <loc>https://www.sitezones.net/art-projects/unseen-spectres</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-09</lastmod>
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    <loc>https://www.sitezones.net/art-projects/johansandas</loc>
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    <lastmod>2021-04-01</lastmod>
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      <image:title>ART PROJECTS - JOHAN SANDÅS: SPOON CARVING: A PHILOSOPHICAL INVESTIGATION</image:title>
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      <image:title>ART PROJECTS - JOHAN SANDÅS: SPOON CARVING: A PHILOSOPHICAL INVESTIGATION</image:title>
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      <image:title>ART PROJECTS - JOHAN SANDÅS: SPOON CARVING: A PHILOSOPHICAL INVESTIGATION</image:title>
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      <image:title>ART PROJECTS - JOHAN SANDÅS: SPOON CARVING: A PHILOSOPHICAL INVESTIGATION</image:title>
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    <lastmod>2021-03-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/d2a524c5-c262-4d25-a08d-d836cb4c0178/3_2_linnea_sjoberg_salong_flyttkartong.jpg</image:loc>
      <image:title>ART PROJECTS - LINNÉA SJÖBERG: SALONG FLYTTKARTONG</image:title>
      <image:caption>Linnéa Sjöberg, A Boob Job Tattoo, 2013</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/9f85b7d4-d549-4d07-ade0-5ba67c1afe2c/1_1_linnea_sjoberg_salong_flyttkartong.jpg</image:loc>
      <image:title>ART PROJECTS - LINNÉA SJÖBERG: SALONG FLYTTKARTONG</image:title>
      <image:caption>The book ”SALONG FLYTTKARTONG” is a 346 page long documentation of the mobile amateur tattoo studio Salong Flyttkartong’s two years of existence. Nille Editions, 2014</image:caption>
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      <image:title>ART PROJECTS - LINNÉA SJÖBERG: SALONG FLYTTKARTONG</image:title>
      <image:caption>Linnéa Sjöberg, A Boob Job Tattoo T-shirt, 2013</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/c7173279-f5f9-4ee9-98be-160ed4bb5a3e/salong+flyttkartong+ad+2.jpg</image:loc>
      <image:title>ART PROJECTS - LINNÉA SJÖBERG: SALONG FLYTTKARTONG</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/e28db1b4-1eb8-457c-b052-6ffa2ada5a75/Salong+F+Athens+Biennale+2018.JPG</image:loc>
      <image:title>ART PROJECTS - LINNÉA SJÖBERG: SALONG FLYTTKARTONG</image:title>
      <image:caption>Salong Flyttkartong at Athens Biennial, 2018</image:caption>
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      <image:title>ART PROJECTS - LINNÉA SJÖBERG: SALONG FLYTTKARTONG</image:title>
      <image:caption>Linnéa Sjöberg, Four Generations of Darkness, 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/5d6d8681-0b16-4f75-a27b-d65b24248c8f/Remains+of+a+Business.jpg</image:loc>
      <image:title>ART PROJECTS - LINNÉA SJÖBERG: SALONG FLYTTKARTONG</image:title>
      <image:caption>Linnéa Sjöberg, The Remains of a Business, 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/331c2e8c-78f6-4735-8022-0fff8623f0cd/Company+Gallery_Linnea+Sjoberg-41.jpg</image:loc>
      <image:title>ART PROJECTS - LINNÉA SJÖBERG: SALONG FLYTTKARTONG</image:title>
      <image:caption>Linnéa Sjöberg, installation shot from exhibition Upwards Through the Ceiling at Company Gallery, New York 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/d48fa1be-bf9b-47b7-9ec8-378cb07a260d/Package+Play.jpg</image:loc>
      <image:title>ART PROJECTS - LINNÉA SJÖBERG: SALONG FLYTTKARTONG</image:title>
      <image:caption>Linnéa Sjöberg, Package Play, 2019, Company Gallery</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/edd86058-f855-429e-b940-5293b42d2a83/Behind+me+eyes.jpg</image:loc>
      <image:title>ART PROJECTS - LINNÉA SJÖBERG: SALONG FLYTTKARTONG</image:title>
      <image:caption>Linnéa Sjöberg, Behind my Eyes, 2019, Company Gallery</image:caption>
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      <image:title>ART PROJECTS - LINNÉA SJÖBERG: SALONG FLYTTKARTONG</image:title>
      <image:caption>Linnéa Sjöberg, Passing spine neck, 2019, Company Gallery</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/a3ccc745-7e88-4998-b03a-97a9ebb79a5b/SkinShip+Berlin.jpg</image:loc>
      <image:title>ART PROJECTS - LINNÉA SJÖBERG: SALONG FLYTTKARTONG</image:title>
      <image:caption>Skinship, Berlin 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1616871517865-N1THK0F30O5IZ0G5FEFV/Linnea+Sj%C3%B6berg.JPG</image:loc>
      <image:title>ART PROJECTS - LINNÉA SJÖBERG: SALONG FLYTTKARTONG</image:title>
      <image:caption>Linnéa Sjöberg/Salong Flyttkartong, the cover of Site, 2014</image:caption>
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      <image:title>ART PROJECTS - LINNÉA SJÖBERG: SALONG FLYTTKARTONG - GTD4s810 – 2009-2011</image:title>
      <image:caption>GTD4s810 – 2009-2011, the performance where Linnéa Sjöberg appeared to be a high society business lady, and explored what happened if she used a certain type of clothes, hair do and attitude. Her surroundings was an object for her investigations. “I´m employing the superficial aspect of the self as a progressive narrative, I explore the potential power and social rules connected to physical appearance. During the course of one and a half year, I developed a controlled and proper style, continuously maintaining the illusion of being a career woman 24/7. A pair of pearl earrings, a short blonde bob, a tailored blue shirt and pencil skirt became the tools for my performative research and my everyday life.”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc520f5c30a162e0c6ded2d/1616879570772-75T2FZ674X89GLR4DQEL/3_1_linnea_sjoberg_salong_flyttkartong1-233x350.jpg</image:loc>
      <image:title>ART PROJECTS - LINNÉA SJÖBERG: SALONG FLYTTKARTONG - Salong Flyttkartong (Salong Moving Box)</image:title>
      <image:caption>“Salong Flyttkartong was a mobile amateur parlour that existed for over two years. During that time the parlour has toured haphazardly and through a series of open performances developed into an intricate participatory art work. The open process has created it’s own aesthetics, a unique space in the field inbetween the inherent permanence of the tattoo medium and the spontaneity of the performance act.”</image:caption>
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  </url>
  <url>
    <loc>https://www.sitezones.net/art-projects/padyn-humble</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-19</lastmod>
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